Waterlines: Hanging the Show

My upcoming show, Waterlines, opens on Thursday, April 27th, with a reception from 6-9 pm. Yesterday was hanging day and it all went very smoothly thanks to Donna Guardino’s savvy eye and her assistant Gail’s infectious energy. My husband helped wherever needed, while I sort of stood around and watched everyone work. It’s exciting to watch a show come together after months of painting in solitude. From a blank gallery space  . . .

. . .  to watching Donna triage my art . . . .

. . . to auditioning different possibilities.

In no time at all, the hanging frenzy began.

Meanwhile, I schlepped painted driftwood from the car to the gallery for use in the front display window.

And within the span of two hours, the show was hung and the pieces numbered and ready for title cards to be hung. In the end, the show features 39 pieces of art, from 5×5 inches to 36×48 inches.

Here’s all the info on the show. Hope to see you tomorrow night.

Waterlines Art Show: Making Headway

“Where the Blue is Deep and Soft and Silent,” 24×24 inches, plaster, oil, and cold wax.

I am happy to share the news that I’m having a show at Guardino Gallery in NE Portland. My show is titled Waterlines and I’ve been painting and preparing for almost a year, although I’ve been experimenting and painting waterlines for the past three years. My fascination with waterlines began as a child. Growing up as the daughter of a river rat on the Columbia River, plus time spent at my grandparent’s beach cabin on the Oregon Coast, I learned to love waterlines at an early age. In the summer of 2014, as I was floating in the Columbia River, I noticed the waterline on a boat. I was captivated by the beautiful colors and imagined it as an abstract painting.

“The Wind Stilled Itself,” 10x10x2 inches, plaster, oil, and cold wax.

I like to describe waterlines as: Where water meets an edge. A shoreline. The hull of a ship. The sand. Riverbanks. Sky. In exploring various forms of waterlines, I am especially interested in experimenting with the intersections, where water meets the land. I ask myself, “What’s happening at the horizon line? Turbulence or ripples. Calmness or agitation. What’s above, or, what’s below.

“The Turmoil of Raging Tides,” 12×12 inches, plaster, oil, and cold wax.

Drawing upon the flexibility of working with oil paint mixed with cold wax medium and sometimes R and F Pigment Sticks, I am able to create layers of color using palette and putty knives to apply, push, pull, and scrape the layers of paint to reveal and explore the rick complexity of water, land, and sky.

“Sweet Blue Rhythm,” 8×8 inches, plaster, oil, and cold wax.

The show opens Thursday, April 27 and runs through May 21st. The opening reception is Thursday, April 27th from 6-9 pm.

“Heat Waves Buckling the Air,” 11×14 inches, plaster, oil, and cold wax.

 

Up, Down, and All Around

I am working on three different projects right now, in three different studios. Come on, I’ll take you on a quick tour.

This is a look at my second floor studio located at the Willamette Heritage Center and part of The Art Studios at Mission Mill. I have converted my studio from an all purpose space to an area devoted to working on my What’s Your Story mixed media/collage project.

Here’s a sample of my project.

 

At my central Salem home, I use the basement of my 1926 house as my assemblage studio. Currently, I’m putting the finishing touches on a piece for the Salem Reads: One Book, One Community Project. Salem is hosting their first ever community reads event and several artists were invited to create a piece of art in response to the book Spare Parts.

My piece, Everything Accounted For, will be hung in the Salem Library Spare Parts art exhibit at the end of this month. I’ll share my completed piece once I have put the finishing touches on it.

Finally, my painting studio is in a big airy space upstairs at my house. Right now, I’m immersed in oil and cold wax in preparation for two upcoming shows in 2017.

Here’s a piece I’ve been working on this week for my Waterlines show at Guardino Gallery in May.

 

I’ll be sharing more about all of these projects in the future.

 

Art After Dark Open Studios: January 12

Our December Art After Dark was cancelled last month due to snow and ice, so I’m happy to announce that it has been rescheduled for Thursday, January 12, 2017, 5-7 pm. The artists at the Art Studios at Mission Mill voted to go to quarterly Open Studios, so please join us as our next event won’t be for a few months. As you can see from the flier, we have a full line up of art and activities on the first and second floors.

In my studio (Studio A), I’ll be sharing the progress I’ve made with my newest mixed media project: What’s Your Story – Real or Imagined: Telling Stories Through Black and White Photos.

And as always, there will be appetizers and drinks being served in all of the open studios.

I’m excited to announce a new website!

It has been in the works since last summer and it is finally here: my new website. I am kind of over the moon excited for the clean, new look. I am grateful to Phil Webb of Dial A Tech who met with me frequently to discuss my ideas and then to figure out how to make it all work. The website went live about a week ago, but we’ve been working out little bugs since then. As of today, it has officially been launched. Phil was able to transfer all of my previous blog posts as well as my earlier archived posts beginning in 2009. This will be my ninth year of blogging.

 

My website is meant to be an introduction to who I am and the type of work I do and it will be periodically updated. However, this blog and my various social media sites are where I will be posting the most current content as far as my ever evolving art. If you’re interested in what I’m working on, where I’ll be teaching, and what shows I’m participating in, please subscribe to my blog, and follow me on Pinterest, Instagram, and Facebook.

 

Thank you for your continued support of the arts.

 

What’s Your Story, Real or Imagined: Telling Stories Through Black & White Photos

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I’m excited to share a project that I’ve been working on for many months. Someone recently asked me where the idea came from and I realized it has actually been in the works for years. I told them:  It has been inside me for a long time and most of my mixed media art has  been leading up to this special project, although I didn’t know it at the time.

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It was 2007 when I created a class called Itty Bitty Pretties. It involved creating little tiny mini collages on 1-1/2 x 1-1/2 inch squares: a background, a cut out black and white photograph, a word,  and finally, an assemblage piece; each one represented a different family member.  Here is 64.

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It has been inside me for a long time and most of my mixed media art has been leading up to this special project, although I didn’t know it at the time.

Jump ahead to 2012, when I started creating mixed media collages on playing and flash cards. During the summer of that year I lived on a boat at the Portland Waterfront for 29 days; I created a card for each day I was there.

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In the fall of 2015, I made a travel journal in the style of my current project, creating about 60 pre painted pages, which I embellished throughout the 40 days I was gone.

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At the beginning of this year, I started to lay the framework for an idea to take all of these past projects and incorporate them into a new one. It gets a bit blurry about the timing. I remember working on page backgrounds when we went to Arizona in February, where I slathered paint and created texture using plaster and gesso, always writing and embedding text into the wet paint and over the dry plaster.

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what-is-your-story-6I remember returning to my studio and beginning the process of gathering textiles, ephemera, and little found objects to eventually incorporate into my collage pieces. I also began gathering dozens of black and white photographs, mostly of strangers.

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april-2016-2In May of this year, I went on an art retreat with my Portland Art Collective, where I spent three days composing and auditioning layouts.

 

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After returning from the retreat, I continued building my collages and gave them a name, What’s your Story, Real or Imagined: Telling Stories Through Black & White Photos. My collection of ephemera expanded, as did my obsession with black and white photographs.

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I continued building my collages and gave them a name, What’s your Story, Real or Imagined: Telling Stories Through Black & White Photos. My collection of ephemera expanded, as did my obsession with black and white photographs.

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november-7These are a sampling of my mixed media collages and all are a work in progress. When I’m at my studio, I am continually digging through my bits and auditioning that one more thing to add another layer of interest and mystery.

november-13My plan is to continue working on these pages and in the fall of 2017, I’ll be offering a workshop at Salem Art Association’s Art Annex in conjunction with a collaborative history project, which is in the works.

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Painting for Pleasure, Seriously

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At the end of October, I had the pleasure to take a five-day workshop with William Park, a Portland artist. For five days we had morning demos, then the luxury of painting the rest of the day.

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In the afternoon Bill would share artists he loves and we would have chats about the love of painting and the challenge of keeping fear out of our process and paintings.

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On the first morning, we did a nice warm up exercise of making marks and adding paint. Simple, yet profound in the ability to jump start our week.

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The demos Bill did were primarily in acrylics, but I had brought my oil paints and a gallon of cold wax; there were eleven of us in class and a couple other people were painting in oils, so it was a mixed bag and we were encouraged to explore and do whatever we wanted.

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Bill made the rounds throughout the day, spending time with each artist for as long as they needed. Here he is with my friend Katy, who also took the class.

park-workshop-43For the first couple of days, I just laid down paint in order to get some early bright layers to respond to in later days. No fear, just the joy of painting and playing with color.

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I’m not sure I finished anything, but I made progress and came away with some wonderful early layers.

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And besides Katy being in the class, my good friend Stephanie was also there, so as you can imagine, we had a great five days together.

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A Studio Story

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I recently changed studios. It all happened rather quickly and unexpectedly, but I jumped on the opportunity to make the switch. I’ve been in Studio F since the Art Studios at Mission Mill opened in October of 2014. I started out sharing the space with my good friend Tory, then she moved out into Studio B sometime in 2015. For the past year, Studio F has been my space.

Two weeks ago, one of our studio members decided not to renew her lease, creating an opening for Studio A, a lovely corner studio overlooking the stream and the Willamette Heritage Center. Two artists were interested in the studio, Rollie and myself, so it required a dual, I mean a drawing, which occurred a week ago Friday. We sought out an independent person to do the drawing. Max Marbles, our resident bookbinder was selected, and the drawing took place, with Max’s son Spencer, doing the actual drawing.

 

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My name was drawn and I set to work putting my mark on Studio A, rushing against the clock in time for our monthly Art After Dark Open Studios. First up was painting, which I accomplished (with the help of my husband) on Sunday. tick tick tick

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Monday and Tuesday of last week were moving days. As I moved my stuff out of Studio F, Rollie was moving his stuff into Studio F, all part of the grand studio shuffle.

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Mission accomplished by Tuesday night, with fine tuning happening on Wednesday and Thursday, all in time for last Thursday night’s Open Studios.

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Studio glimpses:

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I am using Studio A as my special projects studio, and accordingly I moved the bulk of my oil and cold wax supplies to my painting studio at home. In my Mill studio I’ll be working on a project I’ve had in the works for several months: What’s Your Story? Real or Imagined. . . . telling stories through black and white photos.  More on all of this later.

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10th Annual Day of the Dead Show at Guardino Gallery

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For ten years, Guardino Gallery in NE Portland has hosted a dia de los muertos group art show. I’ve participated in many of the shows over the past ten years. This year the show moved to the Main Gallery and features over 50 artists. The show, curated by Donna Guardino and Stephanie Brockway, runs through October 23, so if you’re in Portland, I hope you’ll swing by and see an amazing show.

 

MY ART

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THE SHOW

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THE PARTY (I mean, opening reception)

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BONUS: Preparing

Make up done by our daughter, Amy Kayon.

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I’m Teaching! Four Days of Oil and Cold Wax

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If you’ve ever been interested in working in oil and cold wax, I have a great opportunity to immerse yourself for four consecutive days of art making in a beautiful new space. I will be teaching my Abstracted Play class at the Salem Art Association’s newly revamped and remodeled Art Annex on October 6-9, from 9:30-4:30. There will be plenty of time to dive in, learn new techniques, experiment, be inspired, inspire each other, work hard, and, of course, play. But first, this is the bright, airy, new space, located in the heart of Bush Park, where we will be meeting. And my class is the very first to be offered!

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This class is for everyone. If you have previously worked with oil and cold wax, this class will help take you to the next level, but it also works well for beginners with no experience at all. Oil paint mixed with cold wax is a versatile medium that creates rich luminosity and interesting surfaces. We’ll experiment with laying down paint, adding texture, scraping paint away, and then doing it all over again. And maybe yet again.

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During the four days, we will work on multiple pieces, working intuitively and abstractly, exploring texture, layers, composition, design elements, and use of color through oil paint and pigment sticks. We will explore making marks using graphite pencils, twigs and awls, solvents to remove paint and leave marks, and oil pigment sticks. We will be working on wood substrates as well as Arches oil paper.

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Oil paint mixed with cold wax allows the layers to dry quickly (and without much odor), and clean up is done with mineral or baby oil, so our use of solvents is very limited (or even unnecessary).

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The cost for the four full days of class is $350 with a $20 supply fee. I provide some materials and share all of my paints and pigment sticks. To register, just go to the Salem Art Association website using this link.