Art Workshops – Page 4 – Dayna J Collins

Abstracted Play: Three days of oil and cold wax

The paint was flying last week when I hosted a three day oil and cold wax workshop called Abstracted Play. The class was held in the classroom at The Art Studios at Mission Mill, so I kept the number of students to five to maximize space. But we had a kitchen, an espresso machine, lots of snacks, and a lovely art lounge to hang out in, so we made do.

The class consisted of demos, work time, one-on-one assistance, more demos, feedback and support. Photos tell the story better than anything I could say.

The artists created some lovely work during the three days. Here is a sampling.

Such a fun, hard-working group of women. They assured me they cycled all the way from number 1 to finally landing at number 6. Whew, but it was touch and go for a while.

Flags of Hope

Back in 2014 I was invited to participate in a pilot program between the Salem Art Association and the Salem Cancer Institute. I taught my Embellishing a Soft Cloth Doll that first year, then last year I taught three sessions in visual journaling. Over the past couple of weeks I taught two sessions of making prayer flags, calling the class Flags of Hope.

Creating prayer flags came out of a project I facilitated the summer of 2014 through the Salem Art Association’s Project Space. I wrote several blog posts about it at that time, which can be read by clicking here. After the success of that project, I led a similar project last year at Hillcrest Youth Correctional Facility, and now, on occasion, I offer mini workshops on creating flags, which is how these flags were created.

The Flags of Hope project was held in the reception area of Building C at Salem Hospital, a lovely, comfortable space where patients and caregivers can relax with a latte, work on a puzzle, color a mandala, or read a magazine.

I always come away from these classes feeling blessed, humbled, and honored, as the women who take these classes are either in the middle of cancer treatment, just finishing treatment, or have gone through it in the past. Here are some photos of the flags being created over the past couple of weeks.

During this week’s session, a cancer survivor was chatting with a woman who just finished up chemo. Her hair is starting to come back in, but she revealed she wasn’t feeling very pretty. The woman who battled cancer in the past, stepped over and began encouraging and sharing her experience with this woman, affirming to her how beautiful she is and how it gets better. The painting of prayer flags was a lovely respite from the treatment, but the beauty for me was witnessing the human connection of two women being able to talk about a shared experience.

Another woman, who came in late, finished up as I was putting supplies away. She said, “This is so therapeutic for me. I needed this. I live with the fear of wondering if my cancer will return.” This is her flag:

The flags from the two classes will be on display at the hospital on Wednesday, June 8, during the National Cancer Survivors Day celebration.

Mentorship Program: Emma

I had the good fortune to participate in Salem Art Association’s mentorship program again this year (here’s a link about my mentorship a year ago). During the program, high school students are paired with professional artists, who work with their student for several months helping the student build a portfolio of work. This year I had the pleasure of working with Emma, a sophomore at a local high school.

Emma chose to work in plaster and acrylic so during the past several months we met for Emma to prepare her boards and then do paint on them.

It was great to watch Emma work: she worked intuitively and was very confident and self-assured when it came to painting her boards. We met last week for our final session, where Emma signed her pieces and then applied a layer of cold wax to bring out the luscious and rich colors of her boards.

We loaded up Emma’s boards for transport to the reception site in downtown Salem.

Here are the five pieces Emma created during our mentorship:

Last night was the reception for all of the students and their mentors. What a fun evening!

And here’s beautiful Emma standing in front of her work.

The Artist’s Journey: An Online Class

I recently finished a four-week online class with California abstract artist Nancy Hillis. I don’t find many classes I want to take anymore, but something about this one caught my attention. The official title of the class was The Artist’s Journey: 3 Secrets of the Masters to Transform Your Painting. I was also attracted to this class because I love Nancy’s style of non-representational abstract paintings.

The class was four weeks with five modules. During the month long class, we watched video demonstrations, read written course material, worked through workbooks, and interacted with other participating artists in a private Facebook group. We even had the opportunity for a one-on-one telephone consultation with Nancy. Each week we were given a painting challenge to put the lessons into practice.

I won’t give away the class in detail, but I’ll share a bit of what we learned. Our modules covered everything from why we create art, to the importance of committing to a daily studio practice. Nancy covered a variety of topics, such as trusting yourself, the importance of practice, and allowing yourself to be surprised. She offered lots of lessons addressing various techniques, i.e., activating the canvas (making marks), to veiling and experimenting with flux (creating layers). The module on composition was invaluable, filled with game changing pointers. Module 4 covered value and how to use value to make strong and powerful paintings. The final module was a refresher of everything we covered and how to move forward. Wow. This class was worth the investment of money and time.

Photos. How do I choose which photos to share. Rather than break my post down into weekly bites, I’ll just share a sampling of photos taken throughout the past month.

About two weeks into the class, it was time for Art After Dark, the monthly Open Studios event at my downtown studio. I decided to share what I had been working on rather than display finished art like I usually do.

Palettes. I ended up with so many great pieces of paper that I used as my palette, that I saved a bunch of them!

Time to hang up my gloves? No, I’m more inspired and motivated than ever.

Abstracted Play: Creating With Plaster, Oil, and Cold Wax

I’m just home from teaching a three-day workshop in Portland at Stacey Mattraw’s imaginative, magical studio, Arcangelo Productions, in North Portland.

Our three-day workshop actually started on Thursday evening when Stacey hosted a get together so everyone could meet and get their painting supplies set up.

Friday morning, we began our three-day marathon. We spent most of Friday preparing our boards, adding paint, plaster, and more paint, so that when we started to layer oil and cold wax, we would already have a nice layer of texture to respond to.

By the end of the first day we were already applying layers of oil and cold wax.

On Day Two it was oil and cold wax ALL DAY LONG.

Of course, breaks were taken.

On Day Three we gave each other feedback on some of the art in progress, painted, then ended the day with a walkabout.

And then we collapsed!

It was a great group of artists, so full of enthusiasm, energy, and talent — and they all worked so hard. Most of the ladies had traveled quite a distance to attend: Bellingham, the San Juan Islands, Alaska, California, as well as Portland and Silverton.

A sampling of their beautiful work . . . .

Tapestry: Collaging the Seasons

I recently had the pleasure to meet and take a class from Roxanne Evans Stout, an artist from Klamath Falls, and the curator of the blog, River Garden Studio. The class was held at The Art Department in downtown Salem. I hadn’t taken a class in a long time and since it was on the heels of my show opening at Guardino Gallery, I was primed and ready to let Roxanne take the reigns so I could just play.

After staring down the white, I jumped in.

Roxanne did demos and provided lots of materials for us to play and experiment with.

Of course, I brought some of my own personal treasures to use on my pages . . . .

We worked on four pieces at a time, front and back, meaning we created eight pieces of art during the day-long workshop. Not all of my pages are finished, but here is what I got completed during the day.

And now I can’t wait to see where I takes these pages for the next layer.

Scattered By the Wind: Teaching at Hillcrest

Last September, my Scattered By the Wind Prayer Flag Project came to a close. The project was sponsored by Salem Art Association through their Project Space program. If interested, you can read about the 2014 summer project by clicking here.

One of the outcomes of my project was that we raised over $2,000 by selling flags, and that money, along with grant money obtained by Salem Art Association, allowed me to buy supplies and go into Hillcrest Youth Correctional Facility to guide the incarcerated young men in creating a series of prayer flags. I invited my good friend Tory Brokenshire to join me in weekly visits to Hillcrest.

Because cameras and phones are not allowed inside the secure facility, we had to rely on a corrections officer to snap a few photos of the sessions. Also, without permission and authorizations, we weren’t able to take photos of any of the guys.

Tory and I did two session per week for eight weeks and the guys created 82 flags!

Here are a few close ups of flags…..

In the middle of our residency at Hillcrest, Salem Art Association held their Young Artists Showcase and they asked that some of the flags created by the Hillcrest boys be featured. It was exciting to have so many flags on display at the Bush Barn Gallery.

Last Thursday, Tory and I went into the facility’s canteen and hung the 82 flags. Again, our photos are limited due to not having phones or cameras inside (we were tempted to smuggle in a phone as we felt a bit naked without one!).

On Thursday evening, the community, family, friends, along with the guys, were invited to view the flags.

A nice spread of food was prepared by the manager of the canteen and a group of boys to celebrate the show. A few parents showed up and several groups of guys came through. One young man, who came every week to make a flag, had his mother and grandparents attend. He was so excited to share his flags, including the pink poodle he created. When he created that flag, under the theme of things found in nature (what!?!?), he said, “I can’t wait to give this flag to my grandma.”

PS The Oregon Youth Authority had a professional photographer attend the reception and he shot some amazing photos of the flags and the guys. If I’m able to obtain a few of those photos, I’ll post them here.

Road Trip! Teaching in San Diego

I was invited by the San Diego Book Arts to teach my plaster and acrylic class, Layers of Memory. It seemed so long ago that we scheduled a date, signed the contract, and made arrangements for travel. And before I knew it, I was packing four large suitcases with art supplies, handouts, and 34 pre-painted and plastered cradled boards.

I was also invited to give an artist talk on the Friday night before the class began. I gulped big and said yes. The art talk was held at the La Jolla Athenaeum, a beautiful facility.

I arrived early to get everything set up, and thank heavens my husband was along to take care of the technical side of getting the laptop connected to the projector.

A small group attended my talk, but I think it went well.

Saturday morning arrived and I made my way to Miramar College in the Mira Mesa area of San Diego, where we had a nice, spacious room on the second floor with plenty of room to spread out.

After a quick introduction to the class and the first of several demos, the ladies were off and running, getting their boards ready for plaster.

Before lunch on Saturday, plaster had been applied, and by afternoon, they were sanding and applying layers of acrylic paint, adding texture, drawing, and making marks. It was a hive of happy activity.

On Sunday, after a review of processes from the day before, and a few demos of new techniques, the ladies were once again off and running, making the most of every minute they had available to them.

At the end of the workshop, after everyone had cleaned up their supplies, we had a walkabout, where everyone could take photos; then everyone shared about the work they created.

Here is a sampling of the fantastic work created by these talented, creative, generous women:

Thank you, San Diego Book Arts! It was so much fun and very energizing.

Visual Journaling: Making a Mess

Late last summer, II was invited to participate in a pilot project between the Salem Art Association and Salem Hospital Cancer Institute. I did a session on creating art dolls last December, and this month I offered three sessions of visual journaling.

I provided all the materials for the ladies to make a simple journal and each week they jumped in fearlessly. Many of the women were undergoing chemo and they shared that for the hour and a half they forgot about their treatment and just had fun.

Their pages were beautiful, some completed, most just backgrounds waiting for words and images to be added.

And many vowed to continue working on their journals at home. One woman confided she planned to add pockets and was going to insert the messages she received from friends as she went through chemo.

One of the participants wrote me the sweetest note after the last class and with her permission I’ll share it here as it sums up so beautifully what the experience was like for her:

My observation was that this offering certainly has a healing place in the lives of – well anyone who needs healing. It is in the process – not necessarily the art and certainly not the finished product, but the individual elements in combination – side by side with people sharing a bit of their life even through illness and disease.

It has purpose, and I suppose gives us permission to ‘let go, and treat ourselves’ as the time flew by without a thought other than what color to use, where to put it.

The open format you offered covered many art forms and medium – a great introduction, or experience for all levels to both find comfort and step out of that familiar place.

I have begun a journal project at home using felt, and fine paper. It feels more like I am in control – so I can introduce – at a slower pace – all of the delicious things that I tried to put onto one page…

Art After Dark Open Studios

Last night was our monthly Open Studios at The Art Studios at Mission Mill. All of the events, referred to as Art After Dark, took place at the Willamette Heritage Center. Two galleries had openings . . . .

New show by Molly Reeves was happening in the Compass Gallery

Mission Mill's newest gallery: The Willamette Trading Company — Mission Mill’s newest gallery: The Willamette Trading Company

Max Marbles did a book-binding demo.

And I did a demo on using oil and cold wax. Not only did I demo how to use the mediums, I provided little canvases and 300 lb. watercolor paper for anyone who wanted to give it a try. I had lots of takers.

Molly Reeves, who was having a reception for her work in Compass Gallery downstairs, popped upstairs to see what I was doing.

Delores Wisbrock showed no fear and created a beautiful little abstract. Watch out Rollie!

Delores and Tanna choosing paint colors.

At the end of the evening, I snapped this photo of the view from my studio.