Alley Art Studio – Page 11

Tulips-ish: Let’s Just Call Them Tulips

What? Tulips? I don’t paint flowers, at least not specific flowers. In the past I’ve painted a couple of paintings that could be considered flowers, but they were wonky and highly abstracted. But amazingly, they both sold . . . . ummmmm.

My heart sank a bit when Tory, Bonnie, and I met the end of 2015 to decide our 2016 show schedule for Compass Gallery. January was Magnetic Pull and reflected what art we felt pulled to create. February was Light As Air, and I had happily been working on my Funky Junkyard Birds for a couple of months. When it came time to decide on March, Bonnie suggested we have a show about tulips. I gulped and resolved to push through the fear and just make the art.

I decided I needed to start early for the March show. On a rainy day in January, I spent the day in my studio. I was playing with the idea of painting a close up of a tulip, abstracted beyond recognition. My first go round went like this:

Then I started another one and the first layer looked like a misshaped lemon (I’m not even sharing the photo of the big yellow painted lemon!).

I decided this idea wasn’t working for me. I eventually left the studio that day feeling like I had spread a lot of paint, but feeling uninspired and unsuccessful. I was missing something. I remembered a favorite children’s book titled ish by Peter Reynolds. Why couldn’t I paint tulips in the ish fashion? I felt myself getting inspired and motivated again, motivated to get painting, big and small.

I started in using three pre-prepared boards that were a wee 6×6 inches. I had fun adding splashes of color mimicking bouquets of tulips. I felt like I was on to something.

Then I prepared four 12×12-inch boards in my usual fashion, applying paint, a layer of plaster, and then sealing them with a layer of acrylic. I was ready to paint my version of tulips using oil and cold wax. I laid down paint, I scraped it back. I told myself I didn’t need to paint exact replicas of tulips, but just to use color and texture to create something tulips-ish. It was working.

I ended up with a series of three paintings where I used black and grey as a backdrop to really make the color of the flowers pop.

I wanted to create one bigger piece for the show, so I dug out a 24×24 inch painting that had been in a show in 2013. It was begging to be repurposed and given new life.

I had fun covering the bright stripes of color, leaving the essence of a flower, which I then went in and defined using an ebony pencil, a combination of reds and alizarin crimson mixed with white to create some lovely pinks.

The result of my push/pull transformation is Echoes of Summer.

We hung the show on Thursday and I was happy with my nod to tulips. Once again, our disparate work came together to form a lively show.

Just Tulips will be on display at the Compass Gallery at Willamette Heritage Center through March 30, 2016, and the gallery is open Monday-Saturday, 10:00 am – 5:00 pm. The Opening Reception will be held Thursday, March 10, from 5-7 pm.

Funky Junkyard Birds: Light As Air

About once a year, I create a batch of my Funky Junkyard Birds. They take a couple of months from start to finish, so I make two to three dozen when I made them and they usually last through a year of selling them.

I’ve just completed 33, the most I’ve ever done at one time.

The Back-Story

In October, 2010, I took a class from Leighanna Light called Birds Gone Wild. In the class we cut up metal tins and attached aged, metal parts. I loved my bird and wanted to make more. I wrote Leighanna and asked if she was okay if I made metal birds and sold them; Leighanna gave me her blessing and I started making batches of birds, calling them Funky Junkyard Birds. (Leighanna still teaches her Birds Gone Wild class if you’re interested in learning how to make them yourself.)

Over time, my birds morphed and got more complicated from my initial ones; they got fancier and I attached more flamboyant wings; I started dangling more metal pieces from beaks and legs. I also devised a way to cover the cold connections on the back of the birds (i.e., the brads), using pieces of decorative paper Washi tape.

The Creation Process

First, I spend several hours cutting out bird parts: wings, heads, pants, shirts. This involves flattening vintage metal tins, cutting, and sanding the razor sharp edges.

Then the auditions begin. I pull out various found objects that might serve as a body, then try out different heads. A persona begins to take shape, pants or legs might be adding, then an array of wings are considered, balancing shape, color, and design. A personality begins to emerge.

Once the birds are completely designed, it is time for attachments to begin. Holes are punched or drilled into all of the pieces, glued with E6000, and clamped over night. The next day the clamps are removed and all of the cold connections are made using brads, wire, or eyelets.

Part of the auditioning of each bird is determining what the bird will hang from: a ruler, a saw blade, a piece of interesting wood. The whole process is repeated for the hanging piece: holes drilled, glued, clamped, attached. Wire is then added to the hanger, forming a nice arch for eventual hanging on the wall.

Once all the cold connections have been made, I apply Washi tape to the back of the birds, covering the brads. A bit of matte medium is applied to hold the tape in place. At this point, the birds are almost finished. I talk to each bird individually (not literally!): What do you need? What will make you special? Keys are sometimes dangled as legs. Often a wheel is attached to give the bird a sense of motion. I go through my random, one-of-a-kind pieces of metal, looking for something unique to attach to a leg or the belly; these pieces are wired on and scream: LOOK AT ME!

The final step in assembly is adding a piece of torn, ragged silk or sari ribbon to soften all of the hard metal edges.

Finished? Not yet. Each bird gets a name. I Google unusual baby names to see what is trending and pick out a few dozen names. I especially like androgynous names to keep the birds gender neutral, however, sometimes I just know it is a boy or a girl, and their name reflects this.

Assembled, named, photographed. The gang is ready to meet the world.

And a few are ready for their close ups.

The Debut

A couple dozen of my new birds will be going to Compass Gallery for our February show, Light As Air. The show hangs on Thursday and I’m excited about hanging the birds from wires strung across the wall. About six of the birds will be headed to Guardino Gallery in Portland for sale in their Gift Shop gallery. Whew. Maybe by January of 2017 I’ll be ready to create a new batch.

I Created a Zine! Wait, What’s a Zine?

Many people ask what a zine is, so here is a simple explanation: A zine, pronounced, zeen (long e’s) is an abbreviated form of a magazine, created using original text, images,and drawings. It is self-published using a photo copier and usually printed in small batches.

My Salem Art Group decided it would be fun if we each created a zine (there are six of us) and did a swap. We chose a quarter page size format and other than that, we could make our zine on any topic of our choosing.

I started brainstorming ideas for my zine. I considered doing a zine on colors, favorite words, my obsessions, inspiring quotes, but ended up choosing creativity as my theme; where and when I started my creative journey and how I keep it going.

It started to take shape in my head and I jotted ideas in my journal. I knew I wanted the pages to have the look of old school typewritten pages (and I recently won a typewriter in a raffle – I bought a LOT of tickets!). I also knew early on I wanted to use a few photos from when I was a child.

It struck me that an original piece of art would be fun to add to a page, so I painted a little abstract painting on a piece of watercolor paper.

Beyond those things, I just started making lists and recording ideas — verything from my studio playlist to what I drink during the day.

The cover was created using copies of my original abstract paintings. I made color photocopies, then cut out feathers from the copies, creating a sunburst of art. (That’s me as a child, using my original concept of incorporating childhood photos).

Once I finished the layout, which takes a great deal of concentration so all the pages line up properly, I made my copies, cut the pages in half, folded and collated (my zine is 20 pages, counting the front and back covers). While watching Season 7 of Nurse Jackie, I did a simple stitched binding using red waxed linen thread.

Another peek inside:

I decided to print 14 copies, five for my art group, one for me. My husband asked for one, so did my daughters. I’m guessing my mom and sister will want one, and I’ve set aside a couple for friends who have given me their zines in the past. Each copy is numbered, making them feel exclusive and special.

I’ve wanted to create a zine for a long time and it was as much fun as I expected. I already have plans for future zines, but thank heavens for my art group had a deadline to get this one created and published.

Post Script

The Salem Art Group met this week to exchange our zines. It was like Christmas as each of us distributed our zines and shared about our inspiration and process. My zine was text heavy, Tory’s was filled with bird idioms through text, drawings, and collage, Nancy shared her drawings of the human form, Katy produced a zine using her landscape sketches, Kathy illustrated a zine she titled “Courtesans, Witches, Camp Scouts, & Nervous Nell,” and Bonnie shared sketches of what she found when she was snowed in and cleaned out some drawers (and each of us received a special teeny tiny item from her cleaning).

Compass Gallery Update

Pinch me. I never thought I would have the opportunity to band together with two artists I love and admire to form our own gallery, but that is exactly what has transpired. Back in October, I shared the news that a group of five artists had formed a new art gallery cooperative in Salem. We had decided we would give it a trial run from October through December to see if it was something we all wanted to do. Three decided not to go ahead with the gallery, but we gained a new member, leaving three of us with the gallery. Besides yours truly, I’ve partnered with Bonnie Hull and Tory Brokenshire and we’re signing the lease on the gallery space before the end of the year.

We are already plotting and scheming for upcoming shows. In January it will be the three of us hanging our own art, plus the added bonus of each of us spending a week in the gallery creating art and being available to visit and share our process, techniques, and inspiration.

Our January schedule is:

January 13-16 Bonnie Hull will be stitching and drawing (and she invites people to bring their own projects and join her).

January 20-23 Tory Brokenshire will be creating whimsical characters in polymer clay.

January 27-30 Dayna Collins will be painting with her favorite mediums: oil, cold wax, and oil pigment sticks.

The exhibition begins January 11 and the artists will host a simple reception in the gallery on Thursday, January 14, 5:00-7:00 pm, as part of The Art Studios at Mission Mill Art After Dark. The second floor studios will be open and Max Marbles, bookbinder, will be in his first floor studio demonstrating a publishing technique. These events are free and open to the public. Gallery hours are Monday-Saturday, 10:00 am – 5:00 pm. The exhibition will be on view through February 3.

If you want to follow along on our upcoming activities, we have a Facebook page. Click Compass Gallery Cooperative to head over there and click like. We also have a website, which we update with upcoming shows. Click HERE to be taken there.

New Love: Oil Pigment Sticks

I have a new obsession: R and F Oil Pigment Sticks. I’ve been experimenting with them for several months, mostly creating little abstract landscapes, but recently I decided to take the plunge and start using them on bigger canvases. But back to the smalls for this post. I’ve used other brands of oil sticks, but nothing, NOTHING, compares to R and F for pigment load, creaminess, and application luciousness (I don’t even think that is a word!). The sticks are made from natural wax, linseed oil, and pigment. You can paint with them as is, you can use a palette knife, you can even mix colors on a palette and apply with a brush. Versatile and beautiful, that’s what they are.

Here’s a sampling from a series I’ve been working on. All of these are 3×3, 4×4, or 5×5 inches.

Some of these Art Snippets are currently on display, through December, in my new gallery, Compass Gallery Cooperative, in Salem, Oregon. (I’ll share more about this exciting gallery venture in another post.) I regularly share new work on both Pinterest and Instagram, as well as my Facebook art page, so if you want to follow my art, take a look.

Affordable Art For Everyone

Affordable Art for Everyone is a special buying event where more than 60 artists offer high-quality work for under $100. I am excited to share that I was invited to participate. Here is the information from their website:

The juried fine art and fine crafts will include paintings, ceramics, glass, jewelry, wood, metalwork and photography. This is a unique opportunity to purchase quality art at outstanding prices. Frame Central will be onsite with custom and ready made framing options.

This sale will be held at NW Events in Hillsboro, Oregon, a spacious facility conveniently located off of Highway 26 at 2900 NW 229th Ave Hillsboro, OR 97124. The site is fully accessible and has restrooms and ample free parking. Admission is free!

To add even more fun to the day and showcase all kinds of artistry, the Affordable Art show will offer activities for the whole family, such as our Performing Arts Showcase. The Showcase will feature short performances on stage all day by stellar local acts including The Hillsboro Community Youth Choir and NW Dance Conservatory. Display tables in our Performing Arts Marketplace will offer visitors an opportunity to connect and check out what’s coming up in our region’s vibrant performing arts scene.

Family Activities on tap all day from Village Home Education Resource Center, Swallowtail School, Hillsboro Library, and the Artosaur. For food, there are simple snacks and water available for purchase in the kids’ activity room. In addition there will be food trucks in the front parking lot.

So what am I bringing? I am bringing several oil and cold wax pieces, ranging from 6×6 to 6×24 inches. To give you an idea of my pricing, my 6×6 inch $80 pieces will be $60, my 8×8 inch $150 pieces will be $75, my 11×14 inch $190 pieces will be $80, and my 6×24 inch $200 pieces will be $95.

I will be bringing a batch of my Curious Elements, some old and some new. They are regularly $15-$85 and I will have them priced at $5-$60.

A sampling of brand new pieces:

I am clearing out my last four Funky Junkyard Birds. They sell for $50 and I’ve marked them down to $20-$30.

I only have three of my Fearless Faces reproductions left, and instead of the original price of $80, I will be selling them for $20 each (they are about 16×20 inches).

I have four new framed acrylic and mixed media pieces. These will be $75-$90 each.

I have four tins of my Slightly Off Kilter Blocks, originally $45 a set, now $15 a set. These are oil and cold wax on wood blocks.

I have several prints of “Spotted With Crimson,” and I will be selling them for half price.

Finally, I’m bringing lots of greeting cards. Some are reproductions glued onto heavy duty, beautiful watercolor paper, and others are original pieces of art. All of them will be marked down from their original price.

9th Annual Day of the Dead Show at Guardino Gallery

One of my favorite shows every year is Guardino Gallery’s Day of the Dead Celebraton, curated by Donna Guardino and my friend Stephanie Brockway. The show opened last night with a vibrant party and reception. There was live music, glowing altars, and face painting. A peek in the window. . . .

And a little look inside.

I submitted seven pieces of art, and by the time I left last night, three had little red dots!

The show runs through October 25th and the walls and window are filled with creative, off beat, imaginative art. Guardino Gallery is located at 2939 NE Alberta in Portland.

Out of the Box and Over the Top

Lunaria Gallery in Silverton is celebrating their 20 year anniversary and as part of their celebration they are inviting former gallery members to participate in themed shows. I, along with Tory Brokenshire and Frank Lord, were invited to participate in their August show, Out of the Box and Over the Top. I wonder why they invited us to participate in this particular show (ha!).

The show is beautifully curated and is worth the trip to Silverton, but hurry, the show comes down on Monday, August 31st.

Tory and I were unable to attend the opening reception, but we made the short trip to Silverton last week to see the show for ourselves. We had both sold work, so there were a few holes, but it is always exciting to see red dots (or blank walls!). These are the two that have sold:

Studio Shuffle

Last fall, my good friend Tory and I were invited to join a newly forming studio group at the Willamette Heritage Center. We were thrilled to be part of what became The Art Studios at Mission Mill. We leased Studio F and had great fun making it our own.

What I discovered over these past nine months is that I can’t work in a small space and when I’m painting, for the most part, I need solitude. So when two studios opened up in June, Tory and I both put our names in, hoping that one of us would get one of the two studios. Bingo. Tory’s name was drawn for Studio B.

Tory moved her stuff out and I helped her paint her new space (a mere 10 steps from Studio F). I purchased a new work table and a funky chair, then spent an afternoon rearranging Studio F to function as my axillary painting studio.

I ordered signage for my two doors and installed it this week.

Our next Open Studio is Thursday, July 9, 2015, from 5-7 pm. If you ‘re around, please stop by and see our new studios.

Tapestry: Collaging the Seasons

I recently had the pleasure to meet and take a class from Roxanne Evans Stout, an artist from Klamath Falls, and the curator of the blog, River Garden Studio. The class was held at The Art Department in downtown Salem. I hadn’t taken a class in a long time and since it was on the heels of my show opening at Guardino Gallery, I was primed and ready to let Roxanne take the reigns so I could just play.

After staring down the white, I jumped in.

Roxanne did demos and provided lots of materials for us to play and experiment with.

Of course, I brought some of my own personal treasures to use on my pages . . . .

We worked on four pieces at a time, front and back, meaning we created eight pieces of art during the day-long workshop. Not all of my pages are finished, but here is what I got completed during the day.

And now I can’t wait to see where I takes these pages for the next layer.