What’s Your Story, Real or Imagined: Telling Stories Through Black & White Photos

november-12

I’m excited to share a project that I’ve been working on for many months. Someone recently asked me where the idea came from and I realized it has actually been in the works for years. I told them:  It has been inside me for a long time and most of my mixed media art has  been leading up to this special project, although I didn’t know it at the time.

img_3897

It was 2007 when I created a class called Itty Bitty Pretties. It involved creating little tiny mini collages on 1-1/2 x 1-1/2 inch squares: a background, a cut out black and white photograph, a word,  and finally, an assemblage piece; each one represented a different family member.  Here is 64.

fullsizerender-3

It has been inside me for a long time and most of my mixed media art has been leading up to this special project, although I didn’t know it at the time.

Jump ahead to 2012, when I started creating mixed media collages on playing and flash cards. During the summer of that year I lived on a boat at the Portland Waterfront for 29 days; I created a card for each day I was there.

november-1

img_3674-2

In the fall of 2015, I made a travel journal in the style of my current project, creating about 60 pre painted pages, which I embellished throughout the 40 days I was gone.

fullsizerender-5

fullsizerender1-4

fullsizerender2-2

At the beginning of this year, I started to lay the framework for an idea to take all of these past projects and incorporate them into a new one. It gets a bit blurry about the timing. I remember working on page backgrounds when we went to Arizona in February, where I slathered paint and created texture using plaster and gesso, always writing and embedding text into the wet paint and over the dry plaster.

what-is-your-story-12

what-is-your-story-9

what-is-your-story-7

what-is-your-story-3

what-is-your-story-6I remember returning to my studio and beginning the process of gathering textiles, ephemera, and little found objects to eventually incorporate into my collage pieces. I also began gathering dozens of black and white photographs, mostly of strangers.

april-2016-1

april-2016-2In May of this year, I went on an art retreat with my Portland Art Collective, where I spent three days composing and auditioning layouts.

 

menucha-2016-9

menucha-2016-10

menucha-2016-7

menucha-2016-8

After returning from the retreat, I continued building my collages and gave them a name, What’s your Story, Real or Imagined: Telling Stories Through Black & White Photos. My collection of ephemera expanded, as did my obsession with black and white photographs.

november-morning-2016-1

november-16

menucha-2016-4

I continued building my collages and gave them a name, What’s your Story, Real or Imagined: Telling Stories Through Black & White Photos. My collection of ephemera expanded, as did my obsession with black and white photographs.

story-art-1

november-4

november-6

november-5

november-11

november-7These are a sampling of my mixed media collages and all are a work in progress. When I’m at my studio, I am continually digging through my bits and auditioning that one more thing to add another layer of interest and mystery.

november-13My plan is to continue working on these pages and in the fall of 2017, I’ll be offering a workshop at Salem Art Association’s Art Annex in conjunction with a collaborative history project, which is in the works.

november-9

story-art-6

story-art-4

story-art-7

 

 

Painting for Pleasure, Seriously

park-workshop-6

At the end of October, I had the pleasure to take a five-day workshop with William Park, a Portland artist. For five days we had morning demos, then the luxury of painting the rest of the day.

park-workshop-45

park-workshop-17

In the afternoon Bill would share artists he loves and we would have chats about the love of painting and the challenge of keeping fear out of our process and paintings.

park-workshop-49

park-workshop-42

On the first morning, we did a nice warm up exercise of making marks and adding paint. Simple, yet profound in the ability to jump start our week.

park-workshop-13

park-workshop-4

park-workshop-3

The demos Bill did were primarily in acrylics, but I had brought my oil paints and a gallon of cold wax; there were eleven of us in class and a couple other people were painting in oils, so it was a mixed bag and we were encouraged to explore and do whatever we wanted.

park-workshop-36

park-workshop-27

park-workshop-24

park-workshop-19

park-workshop-25

Bill made the rounds throughout the day, spending time with each artist for as long as they needed. Here he is with my friend Katy, who also took the class.

park-workshop-43For the first couple of days, I just laid down paint in order to get some early bright layers to respond to in later days. No fear, just the joy of painting and playing with color.

park-workshop-46

park-workshop-31

park-workshop-28

park-workshop-21

park-workshop-39

park-workshop-34

I’m not sure I finished anything, but I made progress and came away with some wonderful early layers.

park-workshop-35

park-workshop-38

And besides Katy being in the class, my good friend Stephanie was also there, so as you can imagine, we had a great five days together.

park-workshop-37

 

 

Insight & Imagination

Display (15)

I was invited by the staff at Willamette University’s Hatfield Library to curate an exhibit showcasing the art of Salem artists. This local exhibit is being presented in conjunction with a semi-permanent exhibit highlighting the Pacific Northwest Artists Archive, which features a collection of materials related to the careers of artists who are or were active in Oregon and Washington for the major portion of their careers. Several of the artists featured in the larger exhibit are also included in the Insight & Imagination exhibition.

A portion of the Pacific Northwest Artists Archive exhibit. The large painting is a piece by Rick Bartow.
A portion of the Pacific Northwest Artists Archive exhibit. The large painting is a piece by Rick Bartow.

Insight & Imagination represents the work of 23 talented, innovative, and active artists in Salem. Artists of all ages working in a wide range of genres were invited. Mediums represented include painting, textiles, assemblage, ceramics, book making, and photography. Artists were asked to submit a favorite art piece and since the work is not for sale, artists selected from their private collections or borrowed pieces from their collectors to display.

"Joyful Ride" by Tory Brokenshire
“Joyful Ride” by Tory Brokenshire

Along with their art, artists were asked to submit sketchbooks and a sampling of the tools they use to create their art, giving viewers a peek into their world of creation.

Sketchbook drawing by Heidi Preuss Grew
Sketchbook drawing by Heidi Preuss Grew

Last week I hung the show with the help of my good friend (and artist) Tory Brokenshire. When we first arrived at the library, Tory looked at the cases and looked at the art we had brought and said to me, “This isn’t all going to fit.” Fortunately, through auditioning, shifting, and a bit of creative magic, we were able to fit everything in perfectly.

The art is packed and ready for transport to the library.
The art is packed and ready for transport to the library.
Tory and librarian Joni Roberts nervously laugh at the enormity of the project.
Tory and librarian Joni Roberts nervously laugh at the enormity of the project.
We begin the process of putting the puzzle together. Tory is holding John Van Dreal's "Coleen With Pearl."
We begin the process of putting the puzzle together. Tory is holding John Van Dreal’s “Coleen With Pearl.”

The 23 featured artists represent a vibrant and thriving art community and we are honored and excited to present their work.

A sampling of the art:

"Fetching" by Elizabeth Bauman
“Fetching” by Elizabeth Bauman
"In Out Box" by Sandra Nichols
“In Out Box” by Sandra Nichols
"My Frida Bowl" by Mary Lou Zeek
“My Frida Bowl” by Mary Lou Zeek
"There Now" by Laura Mack
“There Now” by Laura Mack
"Time and Two Dorothys" by Kathryn Cellerini Moore
“Time and Two Dorothys” by Kathryn Cellerini Moore

 

But it is probably best to make your way to the Hatfield Library to see the art for yourselves and to spend some time at both exhibits.

Participating Artists:

Elizabeth Bauman
Rob Bibler
Tory Brokenshire
Heidi Preuss Grew
Charles Hannegan
Carol Hausser
Cynthia Herron
Bonnie Hull
Ann Kresge
Kristin Kuhns
Nancy Lindburg
Laura Mack
Kathryn Cellerini Moore
Dave Nichols
Sandra (Sloy) Nichols
Alexandra Opie
James Brandon O’Shea
Rebekah Rigsby
Susan Trueblood Stuart
Jed Thomas
John Van Dreal
Kay Worthington
Mary Lou Zeek

Display (16)

The show will be up through October 28, and can be viewed at the Hatfield Library during daytime library hours.

display (4)

Mentorship Program: Emma

Emma show (4)

I had the good fortune to participate in Salem Art Association’s mentorship program again this year (here’s a link about my mentorship a year ago). During the program, high school students are paired with professional artists, who work with their student for several months helping the student build a portfolio of work. This year I had the pleasure of working with Emma, a sophomore at a local high school.

2016 Emma (2)

2016 Emma (1)

2016 Emma (3)Emma chose to work in plaster and acrylic so during the past several months we met for Emma to prepare her boards and then do paint on them.

2016 Emma (4)It was great to watch Emma work: she worked intuitively and was very confident and self-assured when it came to painting her boards. We met last week for our final session, where Emma signed her pieces and then applied a layer of cold wax to bring out the luscious and rich colors of her boards.

2016 Emma (10)

2016 Emma (11)
We loaded up Emma’s boards for transport to the reception site in downtown Salem.

2016 Emma (12)Here are the five pieces Emma created during our mentorship:

2016 Emma (8)

2016 Emma (9)

2016 Emma (7)

2016 Emma (6)

2016 Emma (5)Last night was the reception for all of the students and their mentors. What a fun evening!

EmmaEmma 2

And here’s beautiful Emma standing in front of her work.

Emma show (3)

The Artist’s Journey: An Online Class

Studio Work (5)

I recently finished a four-week online class with California abstract artist Nancy Hillis. I don’t find many classes I want to take anymore, but something about this one caught my attention. The official title of the class was The Artist’s Journey: 3 Secrets of the Masters to Transform Your Painting. I was also attracted to this class because I love Nancy’s style of non-representational abstract paintings.

Module 1 (11)

The class was four weeks with five modules. During the month long class, we watched video demonstrations, read written course material, worked through workbooks, and interacted with other participating artists in a private Facebook group. We even had the opportunity for a one-on-one telephone consultation with Nancy. Each week we were given a painting challenge to put the lessons into practice.

Display at studios (8)
I won’t give away the class in detail, but I’ll share a bit of what we learned. Our modules covered everything from why we create art, to the importance of committing to a daily studio practice. Nancy covered a variety of topics, such as trusting yourself, the importance of practice, and allowing yourself to be surprised. She offered lots of lessons addressing various techniques, i.e., activating the canvas (making marks), to veiling and experimenting with flux (creating layers). The module on composition was invaluable, filled with game changing pointers. Module 4 covered value and how to use value to make strong and powerful paintings. The final module was a refresher of everything we covered and how to move forward. Wow. This class was worth the investment of money and time.

Journal Page (7)

Photos. How do I choose which photos to share. Rather than break my post down into weekly bites, I’ll just share a sampling of photos taken throughout the past month.

Final photos (3)

Module 1 (9)

Module 1 (12)

Little (1)

Little (14)

Module 2 (5)

Final photos (1)

Final photos (2)

Final photos (6)

Studio Work (1)

Studio Work (3)

About two weeks into the class, it was time for Art After Dark, the monthly Open Studios event at my downtown studio. I decided to share what I had been working on rather than display finished art like I usually do.

Display at studios (9)

Display at studios (1)

Display at studios (6)

Display at studios (10)

Palettes. I ended up with so many great pieces of paper that I used as my palette, that I saved a bunch of them!

Palette (4)

Palette (5)

Time to hang up my gloves? No, I’m more inspired and motivated than ever.

Final photos (5)