Art Studio – Page 8 – Dayna J Collins

Waterlines Art Show: Making Headway

“Where the Blue is Deep and Soft and Silent,” 24×24 inches, plaster, oil, and cold wax.

I am happy to share the news that I’m having a show at Guardino Gallery in NE Portland. My show is titled Waterlines and I’ve been painting and preparing for almost a year, although I’ve been experimenting and painting waterlines for the past three years. My fascination with waterlines began as a child. Growing up as the daughter of a river rat on the Columbia River, plus time spent at my grandparent’s beach cabin on the Oregon Coast, I learned to love waterlines at an early age. In the summer of 2014, as I was floating in the Columbia River, I noticed the waterline on a boat. I was captivated by the beautiful colors and imagined it as an abstract painting.

“The Wind Stilled Itself,” 10x10x2 inches, plaster, oil, and cold wax.

I like to describe waterlines as: Where water meets an edge. A shoreline. The hull of a ship. The sand. Riverbanks. Sky. In exploring various forms of waterlines, I am especially interested in experimenting with the intersections, where water meets the land. I ask myself, “What’s happening at the horizon line? Turbulence or ripples. Calmness or agitation. What’s above, or, what’s below.

“The Turmoil of Raging Tides,” 12×12 inches, plaster, oil, and cold wax.

Drawing upon the flexibility of working with oil paint mixed with cold wax medium and sometimes R and F Pigment Sticks, I am able to create layers of color using palette and putty knives to apply, push, pull, and scrape the layers of paint to reveal and explore the rick complexity of water, land, and sky.

“Sweet Blue Rhythm,” 8×8 inches, plaster, oil, and cold wax.

The show opens Thursday, April 27 and runs through May 21st. The opening reception is Thursday, April 27th from 6-9 pm.

“Heat Waves Buckling the Air,” 11×14 inches, plaster, oil, and cold wax.

Art After Dark Open Studios: January 12

Our December Art After Dark was cancelled last month due to snow and ice, so I’m happy to announce that it has been rescheduled for Thursday, January 12, 2017, 5-7 pm. The artists at the Art Studios at Mission Mill voted to go to quarterly Open Studios, so please join us as our next event won’t be for a few months. As you can see from the flier, we have a full line up of art and activities on the first and second floors.

In my studio (Studio A), I’ll be sharing the progress I’ve made with my newest mixed media project: What’s Your Story – Real or Imagined: Telling Stories Through Black and White Photos.

And as always, there will be appetizers and drinks being served in all of the open studios.

A Studio Story

I recently changed studios. It all happened rather quickly and unexpectedly, but I jumped on the opportunity to make the switch. I’ve been in Studio F since the Art Studios at Mission Mill opened in October of 2014. I started out sharing the space with my good friend Tory, then she moved out into Studio B sometime in 2015. For the past year, Studio F has been my space.

Two weeks ago, one of our studio members decided not to renew her lease, creating an opening for Studio A, a lovely corner studio overlooking the stream and the Willamette Heritage Center. Two artists were interested in the studio, Rollie and myself, so it required a dual, I mean a drawing, which occurred a week ago Friday. We sought out an independent person to do the drawing. Max Marbles, our resident bookbinder was selected, and the drawing took place, with Max’s son Spencer, doing the actual drawing.

My name was drawn and I set to work putting my mark on Studio A, rushing against the clock in time for our monthly Art After Dark Open Studios. First up was painting, which I accomplished (with the help of my husband) on Sunday. tick tick tick

Monday and Tuesday of last week were moving days. As I moved my stuff out of Studio F, Rollie was moving his stuff into Studio F, all part of the grand studio shuffle.

Mission accomplished by Tuesday night, with fine tuning happening on Wednesday and Thursday, all in time for last Thursday night’s Open Studios.

Studio glimpses:

I am using Studio A as my special projects studio, and accordingly I moved the bulk of my oil and cold wax supplies to my painting studio at home. In my Mill studio I’ll be working on a project I’ve had in the works for several months: What’s Your Story? Real or Imagined. . . . telling stories through black and white photos. More on all of this later.

Abstracted Play: Three days of oil and cold wax

The paint was flying last week when I hosted a three day oil and cold wax workshop called Abstracted Play. The class was held in the classroom at The Art Studios at Mission Mill, so I kept the number of students to five to maximize space. But we had a kitchen, an espresso machine, lots of snacks, and a lovely art lounge to hang out in, so we made do.

The class consisted of demos, work time, one-on-one assistance, more demos, feedback and support. Photos tell the story better than anything I could say.

The artists created some lovely work during the three days. Here is a sampling.

Such a fun, hard-working group of women. They assured me they cycled all the way from number 1 to finally landing at number 6. Whew, but it was touch and go for a while.

Studio Revamp

We moved into our current house about three and a half years ago. I claimed a bright and airy upstairs space for my painting studio. I’ve reorganized it a couple of times over the past couple of years, but never made such a huge transformation until a couple weeks ago. When we moved in, this is what the space looked like (beige was the only color throughout the house).

I painted the walls a buttercup yellow, had shelves put up,, and started hauling in all my funky objects for display.

Lately I had begun to feel slightly claustrophobic in my space. It felt like it was packed with stuff (it was).

So I hauled all of the stuff on the shelves to the basement and rearranged the furniture and supplies. I went from this . . . .

. . . to this.

By removing the shelves, I created an entire wall where I can working on large paintings.

More glimpses of my revamped studio space:

And I corralled all of my dolls from around the house and put them together on one long shelf in the closet.

All the stuff I carted to the basement? I revamped my basement assemblage studio, too. Maybe I’ll share photos of that wacky space next.

A New Art Gallery in Salem

I have exciting news to share. There is a new art gallery in Salem and I’m one of the five founding artists. The gallery, located at the Willamette Heritage Center, borders downtown and is across the street from the Amtrak Station and Willamette University. A recent press release gives all of the pertinent information:

After a successful year at the Willamette Heritage Center (formerly Mission Mill Museum), Compass Gallery celebrates its first anniversary with a transition to a cooperative gallery under the auspices of the Art Studios at Mission Mill. The gallery will represent five artists who are members of the Art Studios: Dayna Collins, Bonnie Hull, Leonard Kelly, Kathy Shen and Rollie Wisbrock. The artists will curate monthly rotating exhibitions of their artwork in the gallery space. The first group exhibition opened to the public on October 1 and an opening reception is planned for Thursday, October 8 from 3:00-5:00 pm in the gallery. This event is free and open to the public. Gallery hours are Monday-Saturday, 10:00 am – 5:00 pm. The exhibition will be on view through November 4.

On Thursday, four of us gathered to hang our first show.

For our first exhibit I created a new framed series of plaster, oil, and cold wax pieces.

"The Whisper of Truth," 8x8 framed to 12x12, plaster, oil, and cold wax. — “The Whisper of Truth,” 8×8 framed to 12×12, plaster, oil, and cold wax.

"A Quiet Confidence," 8x8 framed to 12x12, plaster, oil, and cold wax. — “A Quiet Confidence,” 8×8 framed to 12×12, plaster, oil, and cold wax.

"A Light Wind Pushed at the Lace Curtains," 8x8 framed to 12x12, plaster, oil, and cold wax. — “A Light Wind Pushed at the Lace Curtains,” 8×8 framed to 12×12, plaster, oil, and cold wax.

"All Suffering Erased," 8x8 framed to 12x12, plaster, oil, and cold wax. — “All Suffering Erased,” 8×8 framed to 12×12, plaster, oil, and cold wax.

"Forgetting is the Only Way Back," 8x8 framed to 12x12, plaster, oil, and cold wax. — “Forgetting is the Only Way Back,” 8×8 framed to 12×12, plaster, oil, and cold wax.

"The Return of Memory," 8x8 framed to 12x12, plaster, oil, and cold wax. — “The Return of Memory,” 8×8 framed to 12×12, plaster, oil, and cold wax.

"Beyond the Reach of Reality," 8x8 framed to 12x12, plaster, oil, and cold wax. — “Beyond the Reach of Reality,” 8×8 framed to 12×12, plaster, oil, and cold wax.

We are still figuring out shows and what direction we want to take the gallery, but we are going to let it evolve and morph over the next few months of experimentation.

Studio Shuffle

Last fall, my good friend Tory and I were invited to join a newly forming studio group at the Willamette Heritage Center. We were thrilled to be part of what became The Art Studios at Mission Mill. We leased Studio F and had great fun making it our own.

What I discovered over these past nine months is that I can’t work in a small space and when I’m painting, for the most part, I need solitude. So when two studios opened up in June, Tory and I both put our names in, hoping that one of us would get one of the two studios. Bingo. Tory’s name was drawn for Studio B.

Tory moved her stuff out and I helped her paint her new space (a mere 10 steps from Studio F). I purchased a new work table and a funky chair, then spent an afternoon rearranging Studio F to function as my axillary painting studio.

I ordered signage for my two doors and installed it this week.

Our next Open Studio is Thursday, July 9, 2015, from 5-7 pm. If you ‘re around, please stop by and see our new studios.

Art After Dark Open Studios

Last night was our monthly Open Studios at The Art Studios at Mission Mill. All of the events, referred to as Art After Dark, took place at the Willamette Heritage Center. Two galleries had openings . . . .

New show by Molly Reeves was happening in the Compass Gallery

Mission Mill's newest gallery: The Willamette Trading Company — Mission Mill’s newest gallery: The Willamette Trading Company

Max Marbles did a book-binding demo.

And I did a demo on using oil and cold wax. Not only did I demo how to use the mediums, I provided little canvases and 300 lb. watercolor paper for anyone who wanted to give it a try. I had lots of takers.

Molly Reeves, who was having a reception for her work in Compass Gallery downstairs, popped upstairs to see what I was doing.

Delores Wisbrock showed no fear and created a beautiful little abstract. Watch out Rollie!

Delores and Tanna choosing paint colors.

At the end of the evening, I snapped this photo of the view from my studio.

Work Continues . . . . after a brief pause

Being sick is no fun. Here is what I’ve been working on after about a three week hiatus. I battled pneumonia for most of February, and although I wanted to get back to painting, my body screamed NO. But I’m back on an abbreviated schedule, hoping to ramp up my time as I continue to mend.

I’ve been working on about 27 boards ranging in size from 8×8 inches up to 36×48 inches, all in plaster, oil, and cold wax. During each painting session, I work on several boards (not all 27!), adding swaths of paint, scraping it away, scratching into the paint with my awl, blotting paint from one board to another, adding marks using graphite pencils. and drawing with oil paint sticks.

Slowly my boards are beginning to take on a personality, a unique identity. As I wrote in my journal this morning, my hope is that each painting will evoke a feeling of intrigue, mystery, and curiosity. They aren’t there yet, but as I often tell my students: It’s just a layer.

This series of paintings is for my June show at Guardino Gallery on NE Alberta in Portland. My work will be in the Main Gallery, so I have a fairly sophisticated schematic in place to fill the many walls. This afternoon, my big paintings got some attention.

I recently acquired this three-tier, light weight cart. I painted it red and put it to use as a place to put my palette; it is easily maneuverable so I can take my palette to the boards all around my studio.

I also worked on my smallest boards. Here is a peek at sections from six in various stages of layers and completion.

Tomorrow, I’ll be adding more layers and marks. At the end of my painting session today, this is how one of my 30×30 inch boards looked; it started out as something entirely different.

And then it was time to end. A final look into the studio from two different doors.

Behind the Scenes . . . . of a new show!

My current show with Cynthia Herron, Ricochet, was hung last Tuesday and our opening reception was Saturday, but I’ve already been working on pieces for my next show so I thought I would give a peek inside my world of board prep.

I picked up my order of boards from Matt in Portland last October, then during November and into December I painted all of them, applied plaster, sanded, and sealed. I’ve already started to apply oil and cold wax to several, but for this post, I’ll leave it at the prep. And I’ll save the information about the show for a later post as well. It’s all very exciting.

Picking up my boards from Matt's workshop in Portland — Picking up my boards from Matt’s workshop in Portland

Preparing to stain the plaster with acrylic

I whipped up lots of fun colors to seal the plaster

Okay, a little hint: Guardino Gallery.