Evoke – Dayna J Collins

EVOKE: The Opening Reception

My show opened Thursday night at Guardino Gallery in NE Portland. It was a hot night, but that didn’t keep people away. There was a steady stream of friends and art lovers. No need for words, I’ll just share a series of photos from the evening.

EVOKE: The Hanging of the Show

As many of you know, I’ve been working on pieces of art for my upcoming show at Guardino Gallery on NE Alberta in Portland. I started work last October and finished the final piece last Monday. Wednesday was hanging day. My good friend Tory Brokenshire drove her van and helped with the hanging.

We arrived at 11:00 am and unloaded 31 pieces of art into the empty, white-walled Main Gallery. Donna is a master curator and directed us to take pieces here and there, auditioning the possibilities.

And then it was time to hang. Tory and Meg took over.

For the most part, they did an excellent job.

I acted as their assistant, handing them drills, tape measures, and screws, occasionally offering suggestions.

The 3-D artist, who is also in the Main Gallery with me, Tamae Frame, was able to place her beautiful sculptures once my paintings were hung. What a beautiful pairing.

I’m so grateful to Donna for the opportunity to have the show and to Tory for helping to get it hung.

New Show: Entering the Final Stretch

The title has been chosen. EVOKE

Thank you everyone who responded as to whether I should title the show EVOKE or RESONATE.

The Artist Statement has been written.

It has been sent to Donna at Guardino Gallery.

The initial photos for publicity have been taken.

Thank you, Tory.

All that remains is to continue working.

I’ve been spending a lot of time in my studio.

And adding layers of paint.

I bought new paint over the weekend.

And then do a final coat of wax.

Not quite ready to do this.

And remember to sleep.

The opening reception will be Thursday, May 28, 6-9 pm. But I’ll write more about that when it gets a bit closer.

Work Continues . . . . after a brief pause

Being sick is no fun. Here is what I’ve been working on after about a three week hiatus. I battled pneumonia for most of February, and although I wanted to get back to painting, my body screamed NO. But I’m back on an abbreviated schedule, hoping to ramp up my time as I continue to mend.

I’ve been working on about 27 boards ranging in size from 8×8 inches up to 36×48 inches, all in plaster, oil, and cold wax. During each painting session, I work on several boards (not all 27!), adding swaths of paint, scraping it away, scratching into the paint with my awl, blotting paint from one board to another, adding marks using graphite pencils. and drawing with oil paint sticks.

Slowly my boards are beginning to take on a personality, a unique identity. As I wrote in my journal this morning, my hope is that each painting will evoke a feeling of intrigue, mystery, and curiosity. They aren’t there yet, but as I often tell my students: It’s just a layer.

This series of paintings is for my June show at Guardino Gallery on NE Alberta in Portland. My work will be in the Main Gallery, so I have a fairly sophisticated schematic in place to fill the many walls. This afternoon, my big paintings got some attention.

I recently acquired this three-tier, light weight cart. I painted it red and put it to use as a place to put my palette; it is easily maneuverable so I can take my palette to the boards all around my studio.

I also worked on my smallest boards. Here is a peek at sections from six in various stages of layers and completion.

Tomorrow, I’ll be adding more layers and marks. At the end of my painting session today, this is how one of my 30×30 inch boards looked; it started out as something entirely different.