Salvage Collage: Vintage Hardware Style

Many months ago I was invited by Becky, one of the owners of Vintage Hardware in Astoria (on the Oregon Coast), if I would consider having a show in their Pop Up Gallery. I enthusiastically replied with a great big YES. Here are some photos of why I love this store and why I said yes.

The show was scheduled for July . . . and in July, we were all in the middle of the pandemic and things were closed down and people were hunkered inside, so we crossed our fingers and rescheduled for September. By the time September rolled around, things were starting to open (with limited hours, but open nevertheless). It was time to hang the show.

We hung the show on a Friday and on Saturday was the monthly Astoria Art Walk. It was never very busy, but friends came, family came, and shoppers and art lovers stopped in. I even sold several of my book board Salvage Collages during the afternoon.

The show is up through October 4. Check in with Vintage Hardware before visiting as their hours are limited right now.

 

Handmade Journal: The Great Pause (Part 2)

On March 23, I created a handmade journal, which I titled The Great Pause, referring, of course, to the Corona virus pandemic. Since that time, I have continued to work on the pages, gluing in more fodder, pieces of old books, and lots of scraps from my collage bins. Besides continual alterations and additions, I have been writing on the pages, in no particular order, just finding the best space to write down thoughts, quotes, poems, rants, and even daily activities during such a strange period in my life. I decided it was time to share some of the pages, calling this post Part 2. I could offer a caution that some will be offended, but it’s my journal and my feelings, so I’ll not write about why I included what I included, but just share photos of some of my pages as they continue to morph and emerge.

 

 

 

Stitching With Book Linen Scraps

My latest obsession has been exploring using little bits of book linen tabs, collected from when I rip books apart. I have quite a stockpile of these colorful little remnants.

I’ve been fascinated with the small size, the jewel-toned colors, and the raggedy edges since I began ripping books apart. In 2019 when I had my Salvage Collage show at Guardino Gallery, I first experimented with using the colorful little bits:

The Circus by Dayna J. Collins

This was one of my favorite pieces from the show and when it sold, the design idea flew out the door along with the art. Until recently, when those little linen tabs started to make themselves known to me once again. Over the past week I’ve been playing and experimenting with them every time I walked into my studio; I started thinking of the little linen remnants as stitches used to hold pieces of paper together.

Stitched collage in scrapbook journal by Dayna J. Collins

And then I added some stitches in my Great Pause Covid 19 journal.

Stitched page in “The Great Pause” Covid 19 book collage journal by Dayna J. Collins

Of course, I couldn’t resist making a series of stitched collages on book boards.

Book board Salvage Collage by Dayna J. Collins
Book board Salvage Collage by Dayna J. Collins
Book board Salvage Collage with “long stitches,” by Dayna J. Collins

 

Time to go rifle through my bin of scraps.

 

 

Handmade Journal: The Great Pause (Part 1)

 

In mid March, all hell started to break loose as the Corona Virus began to consume our lives in one way or another. On Monday, March 23, Governor Brown mandated a statewide stay at home order. March 23 was the day I decided to create a journal where I could record not only what was taking place around the world and in Oregon, but also for me tucked safely inside my home. What was my new life going to look like in the upcoming weeks, or perhaps months.

The first thing I did was to make a journal using an old book and then gathering lots of paper fodder. I used book pages, music, scraps from torn apart books, and pieces of random papers, post cards, and handbills from my collage stash.

 

Once my papers were gathered, I bound the book using waxed linen thread and began embellishing the pages with scraps and raggedy book bits. Every day I would go through my journal and add interesting pieces to several pages, put wax paper between the pages, weigh it down overnight, and then come back the next day and do it all over again to different pages. I did this process of turning the pages and adding more day after day for three weeks.

Finally, on Monday, April 13, I declared that my journal was ready, the pages prepared.

At the same time, throughout the past three weeks, I have been writing notes to myself and making lists about the pandemic: sleeping in, routines, gift of time, rhythm of the day, tooth pain, sporty sneakers, oral surgery, helpless, daily walks, fake news, megalomaniac, self care, roller coaster . . . . .

I have printed things I have read: a poignant poem, a particularly good article on adjusting to how to live during this strange time, the timeline of how our president has fumbled and mismanaged the entire pandemic since the beginning. All things I feel inspired to record, share on my pages, or use as jumping off points for processing the range of emotions I have been feeling.

For now, I’m sharing a sampling of my pages before I make any entries, do any writing, make any lists, record poems and timelines, letting the beauty of the collages and materials speak for themselves.

Did I mention when I made the first journal that I made two more at the same time!?! What was I thinking?

 

Featured Artist at Open Studios: Salvage Collage

I was the featured artist at our recent quarterly Open Studios at the Mill, held on February 13. My show focused on a series of revamped and new Salvage Collages as well as some acrylic paintings done on book board covers, utilizing my materials in a new way. I worked on pieces feverishly right up until it was time to get the show hung.

Artist Statement about my Salvage Collages:

Dayna Collins has always loved old books. She hyperventilates at the sight of books which are stained, defaced, torn or marked up. She rips battered books apart, reclaiming their faded fragments, and creates collages using only materials she has excavated.  Dayna’s mixed media pieces reflect the passage of time, repurposing the scraps that are worn and weathered, transforming the aged and tattered pieces into something unexpected and beautiful, celebrating their fragile decay.

My husband hung my show in two stages, and it turns out he has quite a knack for curating and hanging.

The end result was quite nice.

Some of the pieces in the show:

And some of the paintings on book boards:

 

Many thanks to those who stopped in to say hello, and to Luis Noriega for attending our Open Studios and interviewing some of our artists for his podcast: Down the Rabbit Hole DTRH Podcast

Head’s Up: Next opportunity to see my Salvage Collages will be at a Pop – Up in July in Astoria, Oregon! 

Willamette University Exhibition: Salvage Collage – A Sort of Magic

I’m pleased to share that I currently have an exhibition of my Salvage Collages at Willamette University’s Hatfield Library. My show, Salvage Collage: A Sort of Magic, is on view through January 20, 2020. It is always a thrill to show at the library, where I used to work 20 years ago.

Leading up to my exhibition, I was feverishly creating new work and revamping some old pieces to give them new life.

On the day of hanging, I used book carts to get my boxes and suitcases to the second floor of the Hatfield Library.

Then I spread everything out and began the process of stacking books in the cases and auditioning where to put the assorted Salvage Collages.

After a couple of hours, my work was complete.

The public is welcome to visit the library (and my exhibit) during library hours.The best place to park is on State Street, where there is metered parking (Willamette is located right across the street from the State Capitol). While you are at the library, check out the Pacific Northwest Artists Archives, which is right next to the two cases where my exhibition is. There is also some great art on the first and second floors by regional artists.

Salvage Collage: A Sort of Magic – Opening Reception

The opening reception for my show (with ceramic artist Michelle Gallagher) at Guardino Gallery, was on Thursday, July 25. It was a warm evening and lots of people were out enjoying art and the festivities of Last Thursday on Alberta.

The official photos:

Michelle Gallagher, Donna Guardino, and me

The unofficial photos:

Friends!
Alea and me
Howard chats with Stacey and Fred
Greg Carrigan catching up with friends
Howard and Donna watch the festivities of Last Thursday on Alberta
With my daughter Amy
Stan and Bobbie
Grandson Major ponders the art
Howard and Steph

Thank you to everyone who came out for the opening and for those who have been visiting since the show opened.

Salvage Collage: A Sort of Magic

My show is hung. After working on a variety of pieces over the past year and a half, I can take a deep breath and revel in the accomplishment of creating a body of work and getting to share it at Guardino Gallery. All of the pieces I have been working on for this show have been created out of old books. My Artist Statement pretty much says it all:

Dayna Collins has always loved old books. She hyperventilates at the sight of books which are stained, defaced, torn or marked up. She rips battered books apart, reclaiming their faded fragments, and creates collages using only materials she has excavated.  Dayna’s mixed media pieces reflect the passage of time, repurposing the scraps that are worn and weathered, transforming the aged and tattered pieces into something unexpected and beautiful, celebrating their fragile decay.

Here’s the tiniest glimpse of what has been going on over the past 18 months:

Then it became time to begin putting the pieces together into some sort of format for presentation. I ended up using six different formats.

Salvage Collages on vintage blocks.
Book boards floating in a custom black frame.
“A Lulling Possibility of Happiness,” salvage collage on book board.
“A Shattered Sense of Normality,” matted and framed in white.
“Secrets Spill Out,” salvage collage on vintage piece of wood.
“Hope Carson,” salvage collage on watercolor paper, mounted on cradled panel.

Then there was the Herculean task of titling, mounting, photographing, inventorying, and packing. There were a few hiccups with the floating and the mounting, but after a few tears, I nutted up and found a solution.

Prepping for the “floating” of the book board collages.
My photography studio.

It was fun to work in so many styles, using the same materials to create entirely different looks. Unfortunately, it was a challenge for Donna and Gail to hang such disparate styles of work. But they did a magnificent job and created combinations I never would have imagined.

One of my favorite things about having a show at Guardino (this is my fourth one!), is designing the window. As soon as I got notice that I would have a show in July, I started plotting and planning for the window.

It turned out just as I had hoped.

Photo courtesy of ceramic artist Michelle Gallagher.

The show opens on Thursday, July 25, from 6-9 pm. I’m sharing the Feature Gallery with my friend and fellow artist, Michelle Gallagher, who has created a delightful series of ceramic corvids. Their dark beauty compliment my pieces perfectly and we were excited to share this show. Michelle took some great photos, so here is a peek at our show. . . . hopefully this will entice you out tomorrow night for a summer evening of merriment and refreshments (and to experience Last Thursday on Alberta).

Photo courtesy of ceramic artist Michelle Gallagher.
Photo courtesy of ceramic artist Michelle Gallagher.
Photo courtesy of ceramic Michelle Gallagher.

PS Last weekend our local YMCA had their final book sale in their old building. Of course, I was there first thing on Friday morning, restocking my art supplies . . . .

Stash of raw materials.