Salem Reads 2023: Boundless Optimism

My January newsletter went out this week and in it I shared about my participation in the 2023 Salem Reads program. This community-wide reading event has been sponsored by the Salem Public Library Foundation since 2017. I was one of the original artists, and although I have been invited to participate each year since, I didn’t jump on the opportunity. . . .until this year. The chosen book is Trevor Noah’s Born a Crime: Stories from a South African Childhood.

Invited artists were instructed to read the book and then create a piece of art in response. I listened to the book on Audible, which was read by Trevor; I loved hearing Trevor’s accent and his inflections, making for an enjoyable and humorous experience. The book was presented as a series of short stories, focusing on different eras of his life as a child and young man. The book was heartwarming, funny, tragic, tender, and ultimately a story of redemption as Trevor rose above his tough circumstances.

I was aware of apartheid and knew a little about it, but Trevor’s stories brought it alive through his eyes of a child growing up during the extreme segregation of whites and blacks.

In my artist statement, I was able to share what led me to create what I did for this exhibit.

As I read ‘Born a Crime,’ so many images swirled in my mind. Trevor was born to a black mother and a white father during the extreme racial segregation of South African apartheid. Despite their circumstances, Trevor’s mother demonstrated feistiness, determination, and perseverance. As Trevor matured, he exhibited many of the characteristics of his mother, carving out a life filled with humor, music, inventiveness, and friendship. Before I began my painting in response to ‘Born a Crime,’ I wrote out the text from the Immorality Act of 1927 across the surface of my board, reminding me of the laws in place when Trevor was conceived and born. I painted this piece with the idea of a young man rising out of the darkness of apartheid, which I translated into colors. I filled the niche with objects representing Trevor’s creativity, spirit, and abundance despite his circumstances.

The piece I created is 16×16 inches square and three inches deep, with a 5×5 inch niche filled with charms and small trinkets. I attached these small items using string, which I tacked to the top of the niche using vintage, colorful thumb tacks.

The 2023 show runs from February 1-25, and will be held in the Art Hall at the Salem Public Library. At the end of February, the show will be packed up and transported to a series of regional libraries; my piece will return to Salem in June.

If you’re interested in learning more about the pieces of art created for the show, several of the participating artists (myself included), appeared on Joel Zak’s KMUZ radio show, Talking About Art, last Friday. A recording of the show can be found on the KMUZ website by going HERE. During my segment, I talked about my motivation behind the piece of art I created for the show.

 

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Funky Junkyard Birds Are For Sale . . . Thanks for asking

I’ve had a few inquiries about whether my Funky Junkyard Birds are for sale and the answer is yes. Because I don’t usually sell direct or online, I needed to figure out the best way to make this happen. The first thing I’m doing is listing all of my birds on this blog post with a photo, name, and price. If you would like to buy a bird, please email me (dayna@alleyartstudio.com) and let me know which bird you have chosen and I’ll send you a Paypal invoice. If you live local, we can work out an in person exchange and no shipping will be necessary. If I am sending you your bird, the mailing charge will be $10.

Here is the whole gang, and in alphabetical order, no less!

Funky Junkyard Birds
Allie
by Dayna J. Collins
Salem on the Edge
Downtown Salem Gallery
Funky Junkyard Birds
Barnaby
by Dayna J. Collins
$65.
SOLD
Funky Junkyard Birds
Beatrice
by Dayna J. Collins
$75.
SOLD
Funky Junkyard Birds
Beckett
by Dayna J. Collins
Salem on the Edge
Downtown Salem Gallery
Funky Junkyard Birds
Cooper
by Dayna J. Collins
Salem on the Edge
Downtown Salem Gallery
Funky Junkyard Birds
Crawford
by Dayna J. Collins
$75.
SOLD
Funky Junkyard Birds
Daisy
by Dayna J. Collins
$65.
Guardino Gallery in Portland
Funky Junkyard Birds
Evangeline
by Dayna J. Collins
SOLD
Funky Junkyard Birds
Evelyn
by Dayna J. Collins
Salem on the Edge
Downtown Salem Gallery
Funky Junkyard Birds
Finn
by Dayna J. Collins
$75.
Guardino Gallery in Portland
Funky Junkyard Birds
Gilbert
by Dayna J. Collins
$75.
SOLD
Funky Junkyard Birds
Harvey
by Dayna J. Collins
Salem on the Edge
Downtown Salem Gallery
Funky Junkyard Birds
J. L. Munkres
by Dayna J. Collins
$75.
SOLD
Funky Junkyard Birds
Lila
by Dayna J. Collins
$75.
Guardino Gallery in Portland
Funky Junkyard Birds
Lucky
by Dayna J. Collins
$75.
SOLD
Funky Junkyard Birds
Margo
by Dayna J. Collins
$65
SOLD
Funky Junkyard Birds
Maverick
by Dayna J. Collins
Salem on the Edge
Downtown Salem Gallery
Funky Junkyard Birds
Oliver
by Dayna J. Collins
$65.
SOLD
Funky Junkyard Birds
Palmer
by Dayna J. Collins
Salem on the Edge
Downtown Salem Gallery
Funky Junkyard Birds
Patterson
by Dayna J. Collins
$75.
Guardino Gallery in Portland
Funky Junkyard Birds
Pearl
by Dayna J. Collins
$65.
SOLD
Funky Junkyard Birds
Poppy
by Dayna J. Collins
$65.
SOLD
Funky Junkyard Birds
Ruby Ann
by Dayna J. Collins
$75.
Guardino Gallery in Portland
Funky Junkyard Birds
Taylor
by Dayna J. Collins
$75.
SOLD
Funky Junkyard Birds
Whitfield
by Dayna J. Collins
Salem on the Edge
Downtown Salem Gallery

Funky Junkyard Birds: A New Flock Has Landed

It is no secret that I am a collector of worn out and tossed aside objects, the rustier, grittier, and grimier, the better. If those objects are scratched, dented, and beat up, my heart skips a beat. Every couple of years, I feel the tug to create a new batch of my Funky Junkyard Birds. I pull out vintage tins and pieces of metal that I’ve been squirreling away over the months, and begin selecting which pieces will be used for making my metal found object birds.

Although I’ve been a collector for years, the idea for creating metal birds came in 2010 when I took Leighanna Light’s Birds Gone Wild class. I was immediately smitten and Leighanna gave me her blessing to make my version of the birds, saying, “Yes, of course, sell away!”

I started my latest batch of birds in February, with an offer from my husband to cut out and flatten the vintage tins and cut out the bird parts: wings, heads, pants, shirts, and bodies. I selected which tins I wanted to use, drew shapes onto the metal, and then turned them over to Howard to cut and sand the razor sharp edges. After a couple of weeks, I had beautiful piles of bird body parts.

In March, the auditions began. This involved combing through my basement stockpiles, opening cupboards, pulling out drawers, digging through bins, and pawing through boxes. I pulled out various found objects that might serve as a body, then tried out different heads. Personas began to take shape; pants or legs were added; an array of wings posed;  balancing shape, color, and design. Unique bits and crazy finishing trinkets added to the emerging personalities of each bird.

Once the birds were Frankenstined together, a process that took several weeks, each bird was given a name, photographed, and are now making their debut.

Here are a smattering from the 25 I created over the past four months.

Funky Junkyard Birds
Ruby Ann
by Dayna J. Collins
Funky Junkyard Birds
Poppy
by Dayna J. Collins
Funky Junkyard Birds
Maverick
by Dayna J. Collins
Funky Junkyard Birds
Margo
by Dayna J. Collins
Funky Junkyard Birds
J. L. Munkres
by Dayna J. Collins
Funky Junkyard Birds
Evangeline
by Dayna J. Collins
Funky Junkyard Birds
Daisy
by Dayna J. Collins
Funky Junkyard Birds
Crawford
by Dayna J. Collins
Funky Junkyard Birds
Cooper
by Dayna J. Collins
Funky Junkyard Birds
Beckett
by Dayna J. Collins
Funky Junkyard Birds
Beatrice
by Dayna J. Collins
Funky Junkyard Birds
Barnaby
by Dayna J. Collins
Funky Junkyard Birds
Allie
by Dayna J. Collins
Funky Junkyard Birds
Whitfield
by Dayna J. Collins

 

Willamette University Exhibition: Salvage Collage – A Sort of Magic

I’m pleased to share that I currently have an exhibition of my Salvage Collages at Willamette University’s Hatfield Library. My show, Salvage Collage: A Sort of Magic, is on view through January 20, 2020. It is always a thrill to show at the library, where I used to work 20 years ago.

Leading up to my exhibition, I was feverishly creating new work and revamping some old pieces to give them new life.

On the day of hanging, I used book carts to get my boxes and suitcases to the second floor of the Hatfield Library.

Then I spread everything out and began the process of stacking books in the cases and auditioning where to put the assorted Salvage Collages.

After a couple of hours, my work was complete.

The public is welcome to visit the library (and my exhibit) during library hours.The best place to park is on State Street, where there is metered parking (Willamette is located right across the street from the State Capitol). While you are at the library, check out the Pacific Northwest Artists Archives, which is right next to the two cases where my exhibition is. There is also some great art on the first and second floors by regional artists.

13th Annual Day of the Dead at Guardino Gallery

 

Day of the Dead, year 13, opens Thursday, September 26, 2019, at Guardino Gallery in NE Portland. Not only is this a fabulous group show featuring over 50 artists, it is the place to be for the celebration, costumes, face painting, music, food, and inventive art. I’ve participated for many years, frequently getting into the spirit by dressing up.

Stephanie and Dayna
Mr. and Mrs. Collins

My art for the show has always been assemblages and found object art. This year, I created four pieces, all nestled into vintage wood boxes. Three of my pieces are tall and narrow boxes, each with a single chair, a word, and a minimum of objects. In creating these simple pieces, I was thinking about those I have lost and the desire to sit with them for one last conversation.

lost      listen      linger

The other piece I created for this show is a variation on a design I created in 2017 for a community read project and then for the 2017 Day of the Dead show; this time around, rather than hanging found objects of remembrance on a branch or a piece of wood, I nestled the items in a box, attaching each piece of string with a vintage and aged thumb tack.

I love this show and I hope you’ll be able to attend the opening reception on Thursday, September 26, 6-9 pm, or visit the show, which will be up until October 27.

Scrounged Beauty: The Opening

 

Stephanie Brockway and Dayna Collins

Here we are the day of our show opening, stopping by for a final sneak peek since we hadn’t yet seen our scrounged letters hanging above the word beauty. We loved it. We spent the day tromping all over Astoria, took a short rest, then returned at 5:00 to celebrate our opening for the rest of the evening.

Final formal photos of Stephanie and me.

Once the guests began to arrive, it was a riot of activity, laughter, fun, chatter, music, visiting, drinking, eating, and general merriment as people came and went, lingered, wandered, stopped back for another look and chat. Stephanie and I were blown away by how many of our friends drove from out of town: Seattle, Salem, Portland, and Albany.

After the last guest drifted away, a group of friends joined us for dinner across the street at Fulio’s and we lingered late into the evening, basking in the afterglow of a successful show and opening party.

 

 

 

 

Scrounged Beauty

Years of Collecting

After years of being junking partners, my friend Stephanie Brockway and I are doing a show together at RiverSea Gallery in Astoria. Both of us have shown our work at RiverSea for years, and Stephanie had a solo show there a couple of years ago. I show paintings, she shows a combination of paintings and outsider folk art. Scrounged Beauty is found object art, highlighting the best of our collections of found objects, and as some would say, junk.

Months of Auditioning

I spent months pulling things out of drawers, bins, bowls, and trays, choosing which pieces to try out on various pieces of reclaimed wood and prepared boards.

Weeks of Connecting, Titling, Signing, and Photographing

A Day of Hanging

Okay, Colin actually did the hanging, while Steph and I gallivanted around Astoria.

A Sampling of My Pieces (out of 42 I have in the show!)

“Delightful Daydreams,” by Dayna J. Collins
“Giddyup, Little One Trick Pony,” by Dayna J. Collins
“Obscured Thoughts,” by Dayna J. Collins
“A Whisper of Conspiracy,” by Dayna J. Collins
“Drawn Into Memory,” by Dayna J. Collins
“Daily Interactions,” by Dayna J. Collins
“The Tiniest Things Mean Something,” by Dayna J. Collins
“Most Expedient Route,” by Dayna J. Collins
“Painstaking Exactitude,” by Dayna J. Collins
“Traveling Side Show,” by Dayna J. Collins
“Seeing Through Shadows,” by Dayna J. Collins
“Little Time to Talk,” by Dayna J. Collins
“Untroubled By Disturbing Dreams,” by Dayna J. Collins
“Beckoning,” by Dayna J. Collins
“Staring Into the Distance,” by Dayna J. Collins

THE SHOW

Press Play Salem

Every once in a delightful while you come across an individual who is so apologetically bold and creatively daring in how they live and work and play that you cannot help but feel inspired by their vivacious presence and vibrant energy.    Jessica Murdoch

 

I was invited by Carlee Wright, publisher and editor, and Jessica Murdoch, co-editor and writer, to be featured in the second issue of Press Play Salem, an arts + entertainment + culture magazine focusing on the people, places, and things to do in Oregon’s beautiful capital city, Salem. How could I refuse, it was such an honor.

Carlee came to our July Art After Dark Open Studios at The Studios at Mission Mill, where I have my Special Projects Studio, and shot some photos of me for the article. Then Jessica sent me a series of questions to answer – a LOT of questions – and I wrote and wrote and wrote, wondering how she would ever decipher everything and boil it down into an article. But she did. Amazingly well, I might add.

I ran downtown on July 31 and picked up a stack of copies. I spread them out the next day and shot this photo. But I didn’t read the article. I really didn’t. I was too nervous. Two days later, I finally decided I would read what Jessica had written. I read it out loud to Howard, choking up a bit as I read. How could this article be about me? But there it was, a beautifully written expose of how I live my life and the art I make.

The next day, we met our son and two granddaughters for lunch at Taproot, where there was a huge stack of Press Play Salem. I grabbed a couple to show Scott, just as Avery grabbed crayons and colored over my face. Sounds about right.

Jessica’s final paragraph:

And that’s Dayna. The woman is — in a word–colorful. She is a kaleidoscope of personality and spontaneity. Her art and her method reflect the most intimate version of her spirited self, and she is fearless when it comes to sharing her artistic expression with the world, making no apology for the outcome: ‘Taking an idea and expanding upon it, with twists and turns along the way, and ending up with something entirely unexpected, is the thrill of the process.’

 

If anyone had ever told me I would get to the Pasadena Rose Bowl Flea Market . . . .

. . . . I would not have believed them. But it happened last Sunday.

 

We were on vacation in Los Angles last week to see an uncle, visit museums, art galleries, and just do some general tromping about. The sites we wanted to visit were divided by neighborhoods to minimize the time spent in the car. On a whim, right before we left for the airport, I googled “flea markets.” The Pasadena Rose Bowl Flea Market, of course, popped up. It is held one Sunday of the month. Guess which Sunday it was being held? (Insert gasping and hyperventilating.)

We arrived early (they have different entrance times and prices, we were there by 8:00 am), got our bearings, and set off for the Orange Area: Antiques and Collectibles. This was important because there are 2,500 booths, so we needed to narrow our focus.

My focus for the market was black and white photos, paper debris, and any sort of ephemera; I rounded up a smattering of everything.But the mother lode was a scrapbook I saw, walked away, then had to go back and purchase.

The scrapbook belonged to Virginia Anita Bugg, and chronicled her early 1930s high school experience on through getting engaged and married. The scrapbook was crammed and crumbly, so when I got home I carefully deconstructed each page into categories: letters, photos, gum wrappers, menus, ticket stubs, dance cards . . . . I even discovered a smashed celluloid doll toward the back. Take a look:

The deconstruction:

I’ve already integrated the pieces into my studio and I’m looking forward to creating new lives with the remnants of Virginia’s life.

Back to the Flea Market, some photos of roaming about.

And the rest of my bounty:

 

2017 Was a Wild Ride!

The past year has been the most exciting and exhilarating of my art career. It all stared in the fall of 2016 when I told people, I have nothing major on my calendar for the upcoming year. I plan to just play and explore. And then everything changed . . . .

I’ve blogged about most of these events, but here is an abbreviated summary of my 2017 art life.

Spare Parts Show at the Salem Public Library

 

Art Featured in New Book: Cold Wax Medium

Solo Show at Guardino Gallery: Waterlines

Salem Art Association Mentorship Program

Taught an Oil and Cold Wax Class at Sitka Center for Art and Ecology

Private Master Class with Pat Wheeler

Two Person Show at Borland Gallery

11th Annual Day of the Dead Show at Guardino Gallery

Artist in Residence at the Salem Art Association Art Annex

Salem Art Association Panel Discussion

What’s Your Story Workshop

Symbols Show at the Art Annex

Guest on KMUZ Talking About Art

Sitka Art Invitational

17th Annual Guardino Gallery Little Things Show

BEST IN SHOW Something Red Art Walk

It was a great year. And I’m not making any proclamations about 2018. Mum’s the word.