Color Can’t Wait

 

Toward the end of March, my friend Lucy Hewitt texted me and asked if she could paint my portrait. She had been doing portraits of herself, and decided she wanted to branch out and start painting her art friends. I told her, “Of course, I’d be honored.” She wanted to schedule a time to come to my house and take some photos of me painting . . . with the caveat that she wanted me to be wearing my overalls and have curlers in my hair. Her strange request was prompted by a photo I had posted of me in my curlers on Instagram on March 16.

A date was set for photos, I washed my hair and put in my curlers. Lucy took photos of me getting ready to paint, then some action shots of me working.

Lucy had me stand in front of one of my big boards in progress – and then had me choose a pair of prop glasses she had brought along – I chose PINK!

In preparation for our photo shoot, Lucy had me write out words and phrases that describe me and my art. I was in the middle of #the100dayproject where I was creating art on scraps of brown paper bags, so I wrote my list on a scrap of bag.

Fast forward to a week ago when Lucy delivered the painting. My response was an emotional one as Lucy had captured me so wonderfully in paint. She titled the painting Color Can’t Wait. It was a gorgeous oil painting and Lucy captured every detail – from my earrings, to my bracelet, from the bright stripes of the background, to the sassiness in my stance.

On the back of the painting was a magical history of the painting, my words, and a poem that Lucy wrote (using my list of words and painted on the front of my overalls). She also shared how she likened my portrait to the Caryatids (a stone carving of a draped female figure, used as a pillar to support the entablature of a Greek or Greek-style building). And she had written the word contrapposto (an asymmetrical arrangement of the human figure in which the line of the arms and shoulders contrasts with, while balancing, those of the hips and legs).

After Lucy had explained her inspiration and process, we called Howard in to see the portrait. His reaction was priceless; he laughed, saluted, then bowed down. As it should be.

When we asked Lucy if we could purchase the painting, she graciously consented. Howard and I both love having Color Can’t Wait in our Art House and have hung it in a place of honor.

Subjectiv. A journal of visual and literary arts

I am delighted to share the Fall 2020 issue of Subjectiv: A Journal of Visual and Literary Arts. This is a stunning online journal, filled to the brim with art and words. Riis Griffen is the editor and C.W. Griffen is responsible for the layout. I was contacted by Riis the end of August, asking if I would be the featured artist for their In the Studio article. Hello, yes, please.

Interview questions were sent, answers written out, photos were taken, photos were edited. And now here it is, in living color, a beautiful reminder of how art and words heal, help us process, bring joy, teach us to solve problems, and as Riis says in the opening of this issue, I hope you can find a few moments of peace browsing through these pages, and enjoy a break from the tumult of the world.

There are two ways to view Subjectiv. You can go to the website by clicking HERE (you can also see past issues by using this link). Or if you prefer to view it in a magazine format, click HERE.

A teaser . . . you can read my interview and see photos on pages 89-96.