What a thrill it was to hang my show at Guardino Gallery a couple of weeks ago. I always like behind the scenes photos, so I thought it would be fun to share the highlights of the hanging on May 25, 2022. My show partner, Nadine Gay, was there with her husband, and my husband/studio assistant/business manager showed up and did a bit of everything to help get the show hung. It took six of us four hours to get the whole show hung.
I did an earlier post about Howard’s hanging of my 25-piece grid made up of individual 8×8 inch pieces, and you can see that post by clicking here.
I had an idea for a painting I wanted in my show at Guardino Gallery. I envisioned a grid of smaller paintings hung together to create a large 40×40 inch piece of art. I decided the small paintings would be 8×8 inches. But the initial problem was how to hang 25 paintings in a manner that would allow me to work on all 25 at the same time, as if I was actually painting a 40×40-inch piece of art. My studio assistant came to the rescue. He devised a system using Velcro. He attached Velcro to the back of the 25 8×8-inch cradled panels, then matched up the other piece of Velcro to the wall, allowing all of the paintings to hang together, but could easily be removed for me to 1) paint the edges, and 2) work on each piece individually when it became time to resolve each piece as a single painting.
After I secured the 25 panels (thank you Art Department for ordering so many boards for me), they were primed with fluorescent pink and orange acrylic paint by my studio assistant. I decided to start the painting process using acrylic paint to get lots of layers of color and marks. It was such fun to paint across the surface with grand swaths of paint, and occasionally pull the panels off the wall to wrap paint around and onto the edges.
Priming the 25 boards.Howard measuring and attaching the Velcro.An ingenious system.Snapping the last panel into place.My grid of smaller panels is a reality!The backs are taped and Velcroed.Acrylic paints below the works in progress.A section of painted panels. Can you see where they are nestled close together?Art quotes were added across the surface of the 25 pieces.
After a few layers of acrylic, I switched to oil paint mixed with cold wax, and began enhancing and adding more layers, words, and marks.
Refining each piece individually.Layers, layers, and more layers of oil and cold wax.Making progress. The view from standing on a chair.Documenting the progress.Drying across the bathtub on a warm, sunny day.A stack of completed paintings. I love the edges!
And today the grid was hung at the gallery!
Getting started.I was Howard’s assistant for a change.One by one, Howard got all 25 pieces hung.My art next to three of Nadine Gay’s beautiful sculptures.It was sure wonderful to hang the show with three red dots!
Last fall, I received the email that always thrills and humbles me: I had been selected by Donna Guardino to have a show in the Main Gallery at Guardino Gallery in June of 2022. I didn’t celebrate too long, but instead studied the schematics of the gallery, the wall spaces to be filled, pulled together a batch of boards, and got to work.
The getting to work initially meant prepping the boards for painting. I knew early on that I wanted to pair art quotes with vivid colors, so right from the beginning these elements were prominent.
Moving boards, applying plaster, creating texture, sanding the plaster, writing on the plaster, sealing the plaster, writing more on the sealed plaster.
After all the boards were prepped (with massive help from my studio assistant), they were ready for paint to be applied.
Piles of oil paint mixed with cold wax.
This part of the process required many layers of oil paint mixed with cold wax. The dominant theme was layers of paint with the writing of quotes in between the layers.
Started out working on these two boards as a diptych.Writing on all the layers.Working on quotes.Blotting some of the oil from R&F Pigment Sticks.Dripping quotes.A quote on an early layer of oil and cold wax.Applying oil and cold wax.Just another layer of oil and cold wax.Getting my exercise working on big boards.Just another day in the studio.Applying oil and cold wax to create texture and design.Scrapping off paint.Work session.Various stages.Working on the floor on a huge board.Contemplating my next move.
After several months of work, the pieces began to take shape. Some boards got scraped, some were finished, but then I decided they weren’t finished so more layers were applied. Writing was always present, but it was in the last six weeks of working that I began applying the words more boldly on the surface of the painted surfaces, and these turned out to be my favorite pieces.
R&F Pigment Sticks are like writing with lipstick.
“A Frenzy of Confessions,” 20×20 inches, plaster, oil, and cold wax by Dayna Collins.
And before I knew it, it was time to stop painting. The oil and cold wax needed time to dry, cure, and set before applying a final coat of cold wax. For the month of May, the paintings were in my studio, in the hallway, and in our bathroom just resting.
Part of the lineup drying.Frida approves.Applying final layer of cold wax.Applying a final layer of cold wax on the finished painting.Cold wax on a finished painting.
Today as I put together this post, all the paintings have been moved to the main floor of our house. They are being prepared to be wrapped and loaded into a van we had to rent to transport the 44 paintings (yes, 44!) to the gallery in the morning.
Finished . . . and exhausted.
The show hangs on Wednesday, May 25, and opens on Thursday, May 26, with the opening reception from 6-9 pm; the show will be up through June 26. An added bonus is you can see (and shop) all the pieces by going to Guardino Gallery’s website.
