Turns of the Kaleidoscope

Yesterday I dropped off 17 new plaster, oil, and cold wax paintings at Salem on the Edge for my show Turns of the Kaleidoscope. The pieces range in size from 12×12 inches, up to 30×60 inches, all created to be hung on 48 feet of wall space! When I began working on this series, I had trouble imagining filling that long, blank wall. But I did it with one painting to spare. (If you happen to see the show during the month of May, ask Melanie to see the 36×48 inch piece, Life’s Distractions and Enticements.)

Rather than blather about creating the pieces, I’m going to share my process with a series of photos, after all, this is a post about an art show. Here we go . . . .

Sealing the board with fluorescent paint.
Bucket of mud!
Applying plaster.
I love this stage of applying plaster.
Plaster being sealed.
A brand new gallon of Gamblin’s Cold Wax.
Early layers.
Working on a 12×12 inch piece.
Active studio.
Rolling wall comes in so handy.
New trend in makeup?
Painting the edges.
Works in progress.
Paying the price.
Sweet spot.
Doing a demo on Instagram about final coat of wax. (My IG: DaynaLovesArt)
Feedback and critique from Howard.
Peeling off the tape.
Sanding the backs of the boards.
Drying in the warm, dry air.
Choosing titles.
Signing paintings.
Preparing to photograph.
Photographing paintings in the perfect outdoor light.
Arrival with paintings!
The namesake piece, “Turns of the Kaleidoscope.”
Howard carries in “Baffled Amazement,” one of three 36×48 inch pieces.
Melanie sizing things up.
The beginning of the curating process by Melanie.
Arranging and rearranging . . . .
“Where does this go?”
Happy that the pieces are at the gallery and ready to be hung.

 

Abstracted Play in Oil and Cold Wax: August 2019

What a wild week. Twelve women artists came together to take my Abstracted Play in Oil and Cold Wax workshop at the Sitka Center for Art and Ecology. Some had taken my class previously, a few had learned from other instructors, and quite a few had never worked with oil paint or cold wax, and one was new to painting. There was some gnashing of teeth, lots of laughter, a little whining, a smidgeon of frustration, and in the end, happiness with their success and the beauty of their pieces.

I did demos every morning and afternoon . . .

The women then worked on their own pieces, working in multiples so they had lots of pieces to work on at various stages of the process.

One thing I loved seeing was the camaraderie of how the women supported each other and worked together.

I gave my Artist Talk on Saturday after lunch (they all showed up for my talk, although this photo makes it look like no one did!).

On our last day, we worked in the morning and then in the afternoon cleaned up our supplies, spread out our body of work, and did a walkabout, sharing the highlights of the week.

Here is an assortment of the work created during the week, in no particular order, some on boards, some on Arches Oil Paper, some large and some small:

It was a really fun week.

PS This was the second time I got to teach at Sitka this summer. In June, there was an opening and I was able to slip in a bonus version of this workshop, which I blogged about earlier.

Big News: I’m teaching oil and cold wax at Sitka Center for Art and Ecology!

I began painting about 12 years ago, primarily in acrylic and occasionally in some form of mixed media. In 2012 I took a class that changed my painting life. The class was Abstract Oil Painting with Oil and Cold with Allen Cox and the class was held at Sitka Center for Art and Ecology. It wasn’t my first class there, but it was when I learned to paint using cold wax medium, Galkyd, and oil paint, all mixed together into a glorious luminous concoction that was spread using palette and putty knives. It was also the first time I really figured out how to use oil paint sticks. I was hooked.

 


Sitka Center for Art and Ecology. It is a magical place located in the woods at Cascade Head on the Oregon Coast. This explains what Sitka is about:
Founded in 1970, the Sitka Center for Art and Ecology fosters creativity, intellectual inquiry and education. By helping others discover more about their core creative selves and their connections to nature, the Sitka Center works to fulfill its mission of expanding the relationships between art, nature and humanity.

The Sitka Center offers workshops, residencies and community events, while maintaining a facility appropriate to its needs in harmony with its inspirational coastal environment near Cascade Head and the Salmon River estuary. Literally a center at the edge – where land meets sky, saltwater meets freshwater – the Sitka Center is a place where a diverse group of people and ideas converge, co-mingle and depart transformed.

Our Workshop Program (May through September) provides people of all levels the transformative and joyful experience of making art and exploring their connections to nature. We offer over 100 one- to five-day intensives on drawing, painting, music, nature, woodworking, encaustics, food, sculpture, fiber arts, kayaking, jewelry, metal work, photography, printmaking, and writing. Professional artists and ecology experts guide the instruction in one of the Center’s five studios or outdoors in the natural environment of Cascade Head and Salmon River estuary. The annual workshop catalog is available in print and online in February each year.

 


Which leads me to the heart of my news: I’m teaching an oil and cold wax class at Sitka next summer! Pinch me. It has been a dream for a long time. I’ve taken some amazing classes at Sitka, had fabulous teachers, hiked to the top of Cascade Head, roamed in the woods surrounding the Center, and made art that is hanging in several homes.


My class is called Abstracted Waterlines in Oil and Cold Wax. In determining the theme for my class, I wanted to incorporate the landscape as inspiration, so using the ocean, river, and estuary as a jumping off point, we will take where water meets land and abstract it into a series of compositions.

The class is scheduled for June 5-8 (four full days) and will be held in Boyden. Pinch me again. I’ve taken all of my classes in that large wood lined studio and to have the privilege to teach in that sacred place, well, I’m a bit verklempt. The cost for the four-day class is $400, with a materials fee of $20 (I bring and share a lot of supplies).

Registration doesn’t open until February, 2017, (February for members, but you can join for as little as $50 and have the opportunity to register in February), and registration for everyone opens in March (the Sitka website has all of the dates listed). The dates of my class (June 5-8, 2017) have now been confirmed.

In the class we’ll be working on several boards at the same time, along with working on Arches Oil Paper (or if you prefer, you can work exclusively on the miracle known as Arches Oil Paper). We will experiment with working in layers, building texture, scraping away, and then doing it all over again.

We will work intuitively and abstractly, exploring texture, layers, composition and design, and use of color through oil paint and pigment sticks. We’ll also work with various forms of mark-making, adding energy and interest through the use of lines and marks. The layers dry quickly and clean up is done with baby or mineral oil. You will complete several pieces during the four days and go home with several starts. The class is designed for all levels of expertise and no prior experience is needed.


I’m sharing all of this now so you have time to mark your calendars, maybe ask for the class as a holiday gift, or perhaps get a couple of friends rounded up to rent a house in Lincoln City, Pacific City, or one of the vacation homes right at Cascade Head.

Please contact me if you have any questions about the class, mediums, or the process. My e-mail is: dayna@alleyartstudio.com

Oil and Cold Wax: A Workshop With Lisa Pressman

Lisa Pressman Class (32)

It was pretty thrilling to experience several firsts in one week: my first visit to Whidbey Island in Washington, the first time I’ve taken a class at the Pacific Northwest Art School, and my first time taking a class with the talented Lisa Pressman.

Lisa Pressman Class (45)

I had a week of bliss. I invited my friend Tory Brokenshire to join me for the week and she enthusiastically said yes. It started with loading the car.

Lisa Pressman Class (2)
After a day of driving (okay, we might have stopped in Centralia for lunch and some junking in the many antique shops in that little town), we arrived on Whidbey Island. Our Airbnb was just as we pictured it would be: light, bright, cozy, and right on Penn Cove.

Lisa Pressman Class (4)

Lisa Pressman Class (3)
Class started on Monday morning and went for four days. Holy Moley. It was all I hoped it would be: lots of lessons, demos, prompts, and experimenting. Lisa left plenty of time for painting and was always circulating offering feedback, suggestions, and encouragement. The extensive demos and talks about R & F Pigment Sticks was an added bonus because I have been using these oil sticks for over a year, but didn’t know all the ins and outs of how they could be used. The answer is: endless ways.

Lisa Pressman Class (27)

Lisa Pressman Class (23)

Lisa Pressman Class (8)

Lisa Pressman Class (9)

Lisa Pressman Class (23)

Lisa Pressman Class (46)

Lisa Pressman Class (16)

Even my blotter papers turned out exciting.

Lisa Pressman Class (20)

I finished several 6×6 pieces on Arches oil paper.

Lisa Pressman Class (33)

Lisa Pressman Class (37)

Lisa Pressman Class (47)

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Lisa Pressman Class (36)

And completed a series of little pieces on paper.

Lisa Pressman Class (26)

I came home inspired and motivated to continue experimenting with some new ideas burbling around in my head.

Lisa Pressman Class (48)